The Art of Seeing

The Art of Seeing. Fresh snow on fall aspens, Inyo National Forest, California
Fresh snow on fall aspens, Inyo National Forest, California

The Art of Seeing. The digital age has opened up a whole new world of creative possibilities for the landscape photographer. From HDR (High Dynamic Range) and stitched panoramas to focus stacking and exposure blending a myriad of options exist. And filters have always been invaluable in controlling and shaping the light just as much in the digital realm as in the days of film.

Yet with all of the tools available it’s easy to lose creative focus in an attempt to include a popular technique or push a filter to its limits. As with the constant temptation to buy the latest camera or software it’s important to remember that the gear or the technique isn’t what makes an image shine, but the vision. That’s the essence of creative photography and yet so often misplaced amid the vast array of today’s technical possibilities.

No matter what the future may bring our most important tool as outdoor photographers will always be our mind’s eye. The equipment in our bag or on our desktop is just a means of helping the viewer connect with what we felt emotionally when we preserved that moment in time.

 

©Russ Bishop/All Rights Reserved

Kids in Nature

Kids in Nature. Kids enjoying the view in the Cottonwood Lakes Basin, John Muir Wilderness, California USA
Kids enjoying the view at Cottonwood Lakes Basin, John Muir Wilderness, California

Kids in Nature. I have mixed feelings as I write this post. The image is a favorite location in the Sierras and a fond memory of a special trip with my kids to the wilderness. But it also holds a deeper meaning, a realization that future generations may not see the value in protecting such areas especially if they have little opportunity to experience them at an early age and ultimately appreciate and preserve them.

Many children today are losing the basic understanding that nature exists even in their own backyards and neighborhoods, which further disconnects them from their knowledge and appreciation of the natural world. It’s important to realize that enjoying a city park can be just as valuable as visiting a wilderness area in terms of instilling a life-long connection with nature.

Richard Louv, in his book Last Child in the Woods, explores research linking the absence of nature in children’s lives to rising rates of obesity, attention disorders, and depression.  His findings point to an overload of electronic media combined with an understandable concern for safety from parents unwilling to just let their kids roam free.

Fortunately Ken Burns popular series America’s Best Idea spurred new interest in our national parks, bringing families together in the outdoors and reversing a trend in recent years referred to as “nature deficit disorder”.

I am a member of several conservation organizations whose common goal is to preserve the natural world and to remind us of the less obvious ways that nature enhances our lives. It can improve our physical health and mental outlook, and most importantly it nurtures our souls.  “In wildness is the preservation of the world” –  today Thoreau’s words are as meaningful as ever and if embraced by the next generation will ring true long into the future.

 

 

©Russ Bishop/All Rights Reserved

The World of Light & Shadow

The World of Light & Shadow. Mountain Dogwood above the Merced River, Yosemite National Park, California
Mountain Dogwood above the Merced River, Yosemite National Park, California

The World of Light & Shadow. In the continuing search to develop our photographic vision it’s often said that trying a new or different approach yields the best results. While we employ many tried and true techniques in our craft that help to define our style, it’s the ongoing challenge to see the world anew that offers the greatest rewards in helping us grow creatively.

If you typically use wide-angle lenses switch to a telephoto and isolate elements from the bigger picture. When shooting  under sunny skies is the norm try the soft diffused light of an overcast day to eliminate shadows and create rich, saturated colors. As I’ve mentioned before, filters can also be an indispensable tool in shaping and controlling light in the field, and are almost always preferable to post processing. One exception is the conversion to monochrome.

With today’s powerful controls in Lightroom and Nik Software’s Silver Efex Pro, it’s now possible to make gorgeous black and white conversions from our color files that express all the subtleties and tonal range once only achievable with film and a darkroom. The challenge here is to seek out images that work well in monochrome. Typically high contrast scenes with defined edges and shadow detail are strong contenders, but there are no hard fast rules and experimentation is the key.

Although I don’t always shoot with black and white in mind, I’ve discovered many images in my files that express my emotional response to the scene much clearer than the color version. Most current digital cameras do have a black and white shooting mode, but it’s always preferable to shoot in RAW and then convert using the full tonal adjustments available in the programs I’ve mentioned. The added benefit is that you always have your original when color is the best option.

So spend some time reviewing your images with a new perspective in mind. You might just find some real gems that were waiting to be discovered in the world of light and shadow.

 

©Russ Bishop/All Rights Reserved