The World of Light & Shadow

The World of Light & Shadow. Mountain Dogwood above the Merced River, Yosemite National Park, California
Mountain Dogwood above the Merced River, Yosemite National Park, California

The World of Light & Shadow. In the continuing search to develop our photographic vision it’s often said that trying a new or different approach yields the best results. While we employ many tried and true techniques in our craft that help to define our style, it’s the ongoing challenge to see the world anew that offers the greatest rewards in helping us grow creatively.

If you typically use wide-angle lenses switch to a telephoto and isolate elements from the bigger picture. When shooting  under sunny skies is the norm try the soft diffused light of an overcast day to eliminate shadows and create rich, saturated colors. As I’ve mentioned before, filters can also be an indispensable tool in shaping and controlling light in the field, and are almost always preferable to post processing. One exception is the conversion to monochrome.

With today’s powerful controls in Lightroom and Nik Software’s Silver Efex Pro, it’s now possible to make gorgeous black and white conversions from our color files that express all the subtleties and tonal range once only achievable with film and a darkroom. The challenge here is to seek out images that work well in monochrome. Typically high contrast scenes with defined edges and shadow detail are strong contenders, but there are no hard fast rules and experimentation is the key.

Although I don’t always shoot with black and white in mind, I’ve discovered many images in my files that express my emotional response to the scene much clearer than the color version. Most current digital cameras do have a black and white shooting mode, but it’s always preferable to shoot in RAW and then convert using the full tonal adjustments available in the programs I’ve mentioned. The added benefit is that you always have your original when color is the best option.

So spend some time reviewing your images with a new perspective in mind. You might just find some real gems that were waiting to be discovered in the world of light and shadow.

 

©Russ Bishop/All Rights Reserved

Chasing Waterfalls

Chasing Waterfalls. Detail of Bridalveil Fall, Yosemite Valley, Yosemite National Park, California
Detail of Bridalveil Fall, Yosemite Valley, Yosemite National Park, California

Chasing Waterfalls. There’s something about flowing water that soothes the soul and sparks the imagination. Mesmerizing ripples on a lake, the fluid dynamics of an eddy as it dances over rocks in a stream, or the powerful force of a cascading waterfall. It’s poetry in motion – nature’s visual elixir.

Preserving these moments of natural movement on film or sensor is a tireless indulgence for the outdoor photographer. Varying shutter speeds and focal lengths can create dramatic landscapes or freeze intimate moments of light and form. And most impressive is the fact that no two images will ever be the same!

Learning to read the flow of the water becomes intuitive with experience and helps solidify the visual appeal of each frame. Waterfalls in particular are constantly changing their course as the wind shifts, and timing your exposure for the best flow can greatly reduce editing time when reviewing dozens of images.

As with all nature photography, time spent thoughtfully viewing a scene and carefully framing your composition is paramount. It will ensure that when the decisive moments arrive you’re able to capture the dancing waters at peak performance.

 

©Russ Bishop/All Rights Reserved

Hawaii’s Valley of the Kings

Hawaii's Valley of the Kings. Waipio Valley, Hamakua Coast, The Big Island, Hawaii
Waipi’o Valley, Hamakua Coast, The Big Island, Hawaii

Tucked away on the remote Hamakua Coast of The Big Island, Hawaii’s Valley of the Kings preserves the essence of ancient Hawaii. From its black sand beach, dramatic cliffs, and waterfalls to the scattering of taro farms that have worked this land for generations, this idyllic valley is a wonderful place to explore and photograph.

The overlook at the end of Highway 240 provides sweeping views of the valley below, but the adventurous traveler will want to experience this verdant valley up close. The excitement starts as you leave the overlook and descend the 25% grade, taxing both engines and muscles alike. This paved public road, which is only open to 4-wheel drive vehicles and foot traffic, is the steepest road of its length in the United States and possibly the world.

Waipiʻo means “curved water” in the Hawaiian language and aptly describes the lazy river that greets you at the bottom. Wild horses can often be seen wandering along its banks, and this is a good spot to bring a kayak and explore upstream. Heading towards the Pacific the road ends at the beach and a primitive picnic area, but you can cross the river when the water is low and experience your own piece of paradise a la Robinson Crusoe. The black sand beach to the west is usually deserted and the occasional washed up fishing float or Hawaiian offering amid the coconut palms provide a truly remote feeling.

It’s easy to see why this was a favorite spot of the ancient Hawaiian royalty, and you might remember it as the final scene in Kevin Costner’s sci-fi epic Waterworld. When it’s time to leave, your only regret is that first glimpse of the road back to reality.

 

©Russ Bishop/All Rights Reserved