The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved

The Power of Negative Space

The Power of Negative Space. Clearing winter storm over Teewinot Mountain, Grand Teton National Park, Wyoming
Clearing winter storm over Teewinot Mountain, Grand Teton National Park, Wyoming

The Power of Negative Space. Successful landscape photography is often comprised of several elements coming together in harmonious balance within the frame. This can be quite complex or deceptively simple. Spatial relationships and color are the building blocks used to balance most compositions, and careful lens selection is essential in distilling an image down to its essence.

But sometimes less is more and an effective use of negative space can be a great tool to elicit an equally powerful response. This basic, but often overlooked principle of design, gives the eye a place to rest and increases the appeal of a composition through subtle means. The Japanese word ma is a perfect example. Roughly translated to “the space between two structural parts”, it is best described as a consciousness of place – the simultaneous awareness of form and non-form deriving from an intensification of vision.

The image above was made as a late winter storm was moving out of the Teton Range. By using a medium telephoto and focusing on the predominant white space I was able to isolate the spires and ridges to give the illusion that the mountains were floating in the clouds.

With the right conditions, adding negative space to your visual toolkit can be a simple yet powerful way to create strong images that resonate with your viewers.

 

©Russ Bishop/All Rights Reserved

A Sense of Place

A Sense of Place. Silhouetted palms at sunrise, Anza-Borrego Desert State Park, California USA (Russ Bishop/Russ Bishop Photography)
Palms at sunrise, Anza-Borrego Desert State Park, California

Compelling landscape images stand on their own and connect the viewer with a sense of place or time. They can be displayed alone or in a series to tell a story, but they all have one thing in common. They make a statement about a location that defines its uniqueness.

The use of color or form in a composition can provoke an emotional response. Leading lines draw the viewer into the frame, creating tension that guides your audience towards the important elements you’re presenting. Shutter speed can illustrate the passing of time to create mood. These are all-powerful creative tools that when applied thoughtfully can result in strong imagery.

Another technique is the silhouette, which uses a graphic approach to convey an idea. Any object or scene that is backlit and appears dark against a lighter background will work, but the key is to find a subject with highly defined edges. A diffused yet colorful background like a sunrise or sunset often works best as it compliments the scene and reinforces the message.

Try adding this technique to your visual toolkit to create powerful images that stand on their own and strengthen your visual storytelling.

 

©Russ Bishop/All Rights Reserved