Simplify, Simplify

Simplify, Simplify. Afternoon haze over the Sierra Nevada foothills from Moro Rock, Sequoia National Park, California
Afternoon haze over the Sierra Nevada foothills, Sequoia National Park, California

Simplify, Simplify. Thoreau’s famous words apply as much to successful landscape photography as life itself. Often when we first approach a classic scene we’re inclined to capture as much of it as possible in hopes that nothing is left out.

Many times a wide-angle view is the best perspective for those grand vistas, but it needs to be carefully composed in order to guide the viewer’s eye through the frame. Problems arise when there is too much information and the image becomes cluttered and confusing. That’s the time to go long and distill the key elements down to their essence.

As with taking on too much in our lives and missing the forest for the trees, sometimes we need to simplify the scene to make it stronger. By carefully cropping out distracting elements and focusing on light and form we can create images with  more visual impact that connect with our audience on a deeper level.

 

 

©Russ Bishop/All Rights Reserved

The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved

The Power of Negative Space

The Power of Negative Space. Clearing winter storm over Teewinot Mountain, Grand Teton National Park, Wyoming
Clearing winter storm over Teewinot Mountain, Grand Teton National Park, Wyoming

The Power of Negative Space. Successful landscape photography is often comprised of several elements coming together in harmonious balance within the frame. This can be quite complex or deceptively simple. Spatial relationships and color are the building blocks used to balance most compositions, and careful lens selection is essential in distilling an image down to its essence.

But sometimes less is more and an effective use of negative space can be a great tool to elicit an equally powerful response. This basic, but often overlooked principle of design, gives the eye a place to rest and increases the appeal of a composition through subtle means. The Japanese word ma is a perfect example. Roughly translated to “the space between two structural parts”, it is best described as a consciousness of place – the simultaneous awareness of form and non-form deriving from an intensification of vision.

The image above was made as a late winter storm was moving out of the Teton Range. By using a medium telephoto and focusing on the predominant white space I was able to isolate the spires and ridges to give the illusion that the mountains were floating in the clouds.

With the right conditions, adding negative space to your visual toolkit can be a simple yet powerful way to create strong images that resonate with your viewers.

 

©Russ Bishop/All Rights Reserved