Creativity | Russ Bishop Photography | Nature Photo Blog

January 17, 2022January 29, 2022

The Power of Negative Space

The Power of Negative Space. Successful landscape photography is often comprised of several elements coming together in harmonious balance within the frame. This can be quite complex or deceptively simple. Spatial relationships and color are the building blocks used to balance most compositions, and careful lens selection is essential in distilling an image down to its essence.

But sometimes less is more and an effective use of negative space can be a great tool to elicit an equally powerful response. This basic, but often overlooked principle of design, gives the eye a place to rest and increases the appeal of a composition through subtle means. The Japanese word ma is a perfect example. Roughly translated to “the space between two structural parts”, it is best described as a consciousness of place – the simultaneous awareness of form and non-form deriving from an intensification of vision.

The image above was made as a late winter storm was moving out of the Teton Range. By using a medium telephoto and focusing on the predominant white space I was able to isolate the spires and ridges to give the illusion that the mountains were floating in the clouds.

With the right conditions, adding negative space to your visual toolkit can be a simple yet powerful way to create strong images that resonate with your viewers.

December 1, 2021December 1, 2021

A Sense of Place

Compelling landscape images stand on their own and connect the viewer with a sense of place or time. They can be displayed alone or in a series to tell a story, but they all have one thing in common. They make a statement about a location that defines its uniqueness.

The use of color or form in a composition can provoke an emotional response. Leading lines draw the viewer into the frame, creating tension that guides your audience towards the important elements you’re presenting. Shutter speed can illustrate the passing of time to create mood. These are all-powerful creative tools that when applied thoughtfully can result in strong imagery.

Another technique is the silhouette, which uses a graphic approach to convey an idea. Any object or scene that is backlit and appears dark against a lighter background will work, but the key is to find a subject with highly defined edges. A diffused yet colorful background like a sunrise or sunset often works best as it compliments the scene and reinforces the message.

Try adding this technique to your visual toolkit to create powerful images that stand on their own and strengthen your visual storytelling.

August 3, 2021August 19, 2022

The Trouble with Bad Light

How many times have you arrived at a scene, anxious and ready for the show to begin only to find that Mother Nature had other plans. The light is far from spectacular, and your perfect image just faded before your eyes (or sensor) ever had a chance to capture it. Typical? Yes, but there’s just one problem. There is no such thing as bad light!

The issue is more with perception than the reality before you. Sure it requires a change of plan, but photography in its simplest form is painting with light (any light) and in that context, it’s all good. Learning to work with a variety of light will expand your visual toolkit and result in more satisfying and dynamic landscape images.

Big puffy clouds will always add drama to a landscape. But what if the sky is a sea of blue with nothing to balance the frame except an intense sun in the wrong location? Use a small aperture with that wide-angle lens and create a dynamic sunstar. This is a great opportunity for visual storytelling. Include a silhouette of a person involved in an activity or a defining landform and you’ve just turned that bad light into a compelling image.

But now you say the sky is completely overcast with no direct light anywhere? This is the perfect time to point your lens to the finer details below the horizon or at your feet. In this case, the sky is simulating a giant studio softbox with broad even lighting and no shadows – perfect for macro shots and isolating elements of the scene with a telephoto. That drab looking light will actually enhance the colors of flowers and trees, and combined with a slow shutter speed it will turn water into silk.

So the next time you’re met with less than ideal conditions, think twice before packing it in. Taking a different approach to the weather and thinking outside the box could be the only difference between creating some powerful imagery or nothing at all.