Finding Balance

Finding Balance. Triple Falls, Glacier National Park, Montana
Triple Falls, Glacier National Park, Montana

Finding balance. The notion of coming together to create symmetry spans the worlds of economics, mathematics, computing, and natural science. Systems that work together to form a more unified whole are greater than the sum of their parts. They are efficient and economical, and equally important on the human side they create a sense of harmony and well-being.

It is a natural human desire to find equilibrium in our lives, and for many the definition of success is living a balanced life. Landscape photography is a wonderful medium in this sense as it provides us with an outlet for creating visual harmony. What we express through our lens is an extension of our personality and our vision of the world around us.

Webster defines balance as “an aesthetically pleasing integration of elements” and, while the evolution of our photographic vision is an ongoing journey, learning to find balance in your compositions does become second nature with practice.

The juxtaposition of color and form within the frame is often the key, and learning to recognize and integrate them into your photography will translate into more dynamic and satisfying images that hopefully reflect that balance we all strive to find in life.

 

 

©Russ Bishop/All Rights Reserved

The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved

The Art of Seeing

The Art of Seeing. Fresh snow on fall aspens, Inyo National Forest, California
Fresh snow on fall aspens, Inyo National Forest, California

The Art of Seeing. The digital age has opened up a whole new world of creative possibilities for the landscape photographer. From HDR (High Dynamic Range) and stitched panoramas to focus stacking and exposure blending a myriad of options exist. And filters have always been invaluable in controlling and shaping the light just as much in the digital realm as in the days of film.

Yet with all of the tools available it’s easy to lose creative focus in an attempt to include a popular technique or push a filter to its limits. As with the constant temptation to buy the latest camera or software it’s important to remember that the gear or the technique isn’t what makes an image shine, but the vision. That’s the essence of creative photography and yet so often misplaced amid the vast array of today’s technical possibilities.

No matter what the future may bring our most important tool as outdoor photographers will always be our mind’s eye. The equipment in our bag or on our desktop is just a means of helping the viewer connect with what we felt emotionally when we preserved that moment in time.

 

©Russ Bishop/All Rights Reserved