The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved

Saguaro National Park

Petroglyphs on Signal Hill, Saguaro National Park (Tucson Mountain District), Tucson, Arizona
Petroglyphs on Signal Hill, Saguaro National Park (Tucson Mountain District), Arizona

Saguaro National Park is unique among the nation’s natural sanctuaries. Almost entirely a wilderness preserve, it surrounds a major metropolitan area yet manages to retain its remote and wild feeling. Just minutes from the city lights of Tucson you’ll find yourself immersed in a world rich in Native American history and the striking flora of the Sonoran Desert.

Two units separated by the city, the Tucson Mountain District to the west and the Rincon Mountain District to the east, provide two unique environments. Signal Hill in the Tucson Mountain District includes hundreds of ancient Hohokam petroglyphs surrounded by dense saguaro forests and wonderful views of the local mountains.

The Rincon Mountain District to the east includes the land protected in the original monument before it became a park in 1994. It’s a desert sky island home to bears, cougars, and the elusive kudamundi. This side of the park has fewer saguaro than its western counterpart, but they are larger in size due to greater amounts of rainfall and runoff from the Rincon Mountains. Rising from the desert floor to over 8,500 feet, these rugged peaks even support a temperate conifer forest – rare in this desert climate.

The American southwest is a fascinating land of beauty and contrast. And for anyone searching for great desert photography, a chance to connect with past civilizations or simply find desert solitude Edward Abbey style,  Saguaro National Park is a prime destination.

©Russ Bishop/All Rights Reserved

Fall Color Photography – Where’s The Light?

Fall color and early snow at North Lake, Inyo National Forest, Sierra Nevada Mountains, California | Fall Color Photography - Where's The Light?
Fall color and early snow at North Lake, Inyo National Forest, California.

Fall Color Photography – Where’s The Light? Successful fall color photography obviously starts with planning around the seasonal changing of the leaves (and this Fall Color Map can help), but once you’ve scouted your location there’s another key factor to consider.

Where and how the color happens is dependent upon elevation and temperature and no two years are ever the same. The higher mountains of the west begin in mid-September, eastern hardwoods in October, and the lower red-rock country of the southwest typically in early November. Once you’ve settled on a destination and found that great grove of trees the next step is to understand the light.

It might seem like the vibrant reds or yellows before you would be faithfully reproduced by your sensor no matter what time of day, but understanding the quality of the light can go along way towards guaranteeing your success. Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background.

Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting as the shadows are eliminated and the uniform light both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light and framing, and don’t be too quick to trip the shutter. A slight change in position or a little patience can often make the difference between a good image and a great one.

 

©Russ Bishop/All Rights Reserved