What You See Is What You Get

What You See Is What You Get. Sunset over the Channel Islands and Ventura Pier from San Buenaventura State Beach, Ventura, California
Sunset over the Channel Islands and Ventura Pier, Ventura, California

WYSIWYG (or “what you see is what you get”) is computer lingo for software that optimizes the screen display for a particular type of output. Back when word processing and desktop publishing software first hit the scene this was nothing short of a miracle. The software emulated the resolution of the printer in order to get as close as possible to WYSIWYG, but the main attraction was the ability to previsualize what you were producing prior to printing.

We now live in a far more advanced digital world of 4K monitors, massive image files, and the processors and video cards to handle them, but without color consistency across devices we might as well be living in the dark ages.

Monitor calibration has a reputation as being one of the great mysteries of digital imaging, but it really doesn’t have to be. Printing images that accurately represent what you see on-screen is a reasonable expectation that shouldn’t break the bank on wasted ink and paper. But unlike the out-of-box WYSIWYG experience you get when printing documents, your monitor requires a little assistance when it comes to images.

What you need is a spyder, and I’m not referring to those furry creatures lurking in your garage. Several companies sell highly accurate and reasonably priced kits like the Datacolor SpyderX Elite that include everything you need to guarantee that your output is consistent from screen to print. The spyder is actually a color sensor (called a colorimeter) that plugs into a standard USB port and works in tandem with software to read your monitor’s output. The process is known as calibration and it creates a custom profile that tunes your display to an industry reference standard, which is then used by image editing programs like Photoshop and Lightroom to provide consistent reliable color.

You trust your eyes and photo equipment when it comes to accurately representing your vision in the field, but it’s all for naught if your monitor doesn’t faithfully reproduce those tones and colors. Much like driving in the dark with your headlights off, editing images without a calibrated monitor is a guessing game. So before you buy another lens or camera body, don’t overlook one of the most important investments you can make as a digital photographer. A quality monitor and calibration kit may not be the most exciting gear you’ll buy, but they do guarantee that what you see is what you get.

©Russ Bishop/All Rights Reserved

Simplify, Simplify

Simplify, Simplify. Afternoon haze over the Sierra Nevada foothills from Moro Rock, Sequoia National Park, California
Afternoon haze over the Sierra Nevada foothills, Sequoia National Park, California

Simplify, Simplify. Thoreau’s famous words apply as much to successful landscape photography as life itself. Often when we first approach a classic scene we’re inclined to capture as much of it as possible in hopes that nothing is left out.

Many times a wide-angle view is the best perspective for those grand vistas, but it needs to be carefully composed in order to guide the viewer’s eye through the frame. Problems arise when there is too much information and the image becomes cluttered and confusing. That’s the time to go long and distill the key elements down to their essence.

As with taking on too much in our lives and missing the forest for the trees, sometimes we need to simplify the scene to make it stronger. By carefully cropping out distracting elements and focusing on light and form we can create images with  more visual impact that connect with our audience on a deeper level.

 

 

©Russ Bishop/All Rights Reserved

The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved