The Wilderness Act

"The Wilderness Act" ~ Autumn hues and fresh powder, John Muir Wilderness, California
“The Wilderness Act” ~ Autumn hues in the John Muir Wilderness, California

Fifty-seven years ago on September 3rd, 1964 President Lyndon Johnson signed the Wilderness Act into law preserving over 9 million acres of wilderness – a place where people could experience nature with minimal impact on the environment and wildlife. Since then Congress has added more than 100 million acres of wilderness area creating a natural legacy for future generations, and a sanctuary to recharge our creative and spiritual batteries apart from today’s fast-paced urban world.

The legislation established the National Wilderness Preservation System, which recognizes wilderness as “an area where the Earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.” Unlike the National Parks, there is no management plan for traffic flow, employee housing or curio shops because there is simply no need. It is truly wild – nature in all its unprocessed beauty.

In this sense the two compliment each other nicely. Where the National Parks serve to protect iconic landforms and historic sites that might otherwise be subject to erosion, vandalism or overuse, wilderness areas often lack the spectacular formations which draw the masses and are instantly recognizable, but provide instead a subtle beauty and remote quality that begs for exploration and contemplation.

Ansel Adams spent the better part of his life working to preserve wilderness through his photographs and tireless appeals to Congress, and his images continue to define the power that nature has in our lives. I feel fortunate to be able to share my own view of the natural world through photography, but more importantly I’m glad those who came before me had the foresight and courage to preserve these special places where we can find renewal and experience our planet in its original untouched form.

“In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia.”  – Charles A. Lindbergh

 

©Russ Bishop/All Rights Reserved

The Trouble with Bad Light

Cascade on Hare Creek, Limekiln State Park, California | The Trouble with Bad Light
Cascade on Hare Creek, Limekiln State Park, Big Sur, California USA

How many times have you arrived at a scene, anxious and ready for the show to begin only to find that Mother Nature had other plans. The light is far from spectacular, and your perfect image just faded before your eyes (or sensor) ever had a chance to capture it. Typical? Yes, but there’s just one problem. There is no such thing as bad light!

The issue is more with perception than the reality before you. Sure it requires a change of plan, but photography in its simplest form is painting with light (any light) and in that context, it’s all good. Learning to work with a variety of light will expand your visual toolkit and result in more satisfying and dynamic landscape images.

Big puffy clouds will always add drama to a landscape. But what if the sky is a sea of blue with nothing to balance the frame except an intense sun in the wrong location? Use a small aperture with that wide-angle lens and create a dynamic sunstar. This is a great opportunity for visual storytelling. Include a silhouette of a person involved in an activity or a defining landform and you’ve just turned that bad light into a compelling image.

But now you say the sky is completely overcast with no direct light anywhere? This is the perfect time to point your lens to the finer details below the horizon or at your feet. In this case, the sky is simulating a giant studio softbox with broad even lighting and no shadows – perfect for macro shots and isolating elements of the scene with a telephoto. That drab looking light will actually enhance the colors of flowers and trees, and combined with a slow shutter speed it will turn water into silk.

So the next time you’re met with less than ideal conditions, think twice before packing it in. Taking a different approach to the weather and thinking outside the box could be the only difference between creating some powerful imagery or nothing at all.

 

©Russ Bishop/All Rights Reserved

Visual Opportunity Is Closer Than You Think

The Milky Way and Perseid meteors over Rose Valley, Los Padres National Forest, California USA
The Milky Way and Perseid meteors, Los Padres National Forest, California

It’s been said that you don’t need to circle the globe to find wonderful subjects to photograph.  And while shooting close to home may not sound as exciting as travelling to far off exotic destinations, quite often those grand landscapes and intimate details can be found right in your own backyard.

I’m fortunate to live in Southern California where icons like Death Valley and Joshua Tree National Parks are within a day’s drive, yet I’ve discovered many less frequented local spots that can be just as rewarding for photography.  Los Padres National Forest is one such place that includes a large portion of California’s coastal mountains from Ojai to Monterey.  Nearly half of the forest is designated wilderness that ranges from semi-desert in the interior areas to redwood forests on the coast, providing a wealth of photographic potential.

So the next time you’re scouting photo locations or just searching for a quiet place to call your own don’t forget the state parks, national forests, and other public lands nearby. You won’t experience the crowds or expense that come with the bigger parks and international travel, and you might just be surprised by the quality images and visual opportunities that can be found close to home.

 

©Russ Bishop/All Rights Reserved