Go With The Flow

Go With The Flow. Wildflower abstract, Tehachapi Mountains, Angeles National Forest, California
Wildflower abstract, Tehachapi Mountains, Angeles National Forest, California

Previsualization is an often used term in landscape photography – the process of researching a location, determining perspective through lens selection and framing, and forming a solid image in your mind’s eye before ever arriving at a scene or tripping the shutter.  Ansel Adams referred to it often as “the ability to anticipate a finished image before making the exposure”, and it was a favorite expression of other luminaries such as Minor White and Edward Weston.

There is a lot to be said for this approach and it’s certainly the route I take whenever possible. If all goes according to plan, you do your homework, arrive at the predetermined location, setup the shot, then wait for the ideal light and the image falls into place. This technique works quite well much of the time (assuming you’ve done that homework), but there are those moments when mother nature simply won’t cooperate. The golden light has been replaced with drab overcast, the wind is determined to keep every leaf or flower in motion, or the road has been closed by an avalanche and you can’t even get to the desired location. Fear not, it’s happened to everyone.

This is the time to give in and go with the flow. There are still great images to be made, but now you need to throw out those mental notes and let that right brain have a little fun. When the flowers and leaves are blowing make abstracts. If the light is anything but exciting, avoid the sky and look for the soft even lighting illuminating the ground cover. And even if that avalanche has closed the road, this is the perfect time to take a detour and explore someplace you’ve never seen before.

So the next time that great image you’ve envisioned isn’t working out as planned, try an alternate approach and go with the flow.  You might find your masterpiece was there all along just waiting to be discovered.

 

©Russ Bishop/All Rights Reserved

A Sense of Place

A Sense of Place. Silhouetted palms at sunrise, Anza-Borrego Desert State Park, California USA (Russ Bishop/Russ Bishop Photography)
Palms at sunrise, Anza-Borrego Desert State Park, California

Compelling landscape images stand on their own and connect the viewer with a sense of place or time. They can be displayed alone or in a series to tell a story, but they all have one thing in common. They make a statement about a location that defines its uniqueness.

The use of color or form in a composition can provoke an emotional response. Leading lines draw the viewer into the frame, creating tension that guides your audience towards the important elements you’re presenting. Shutter speed can illustrate the passing of time to create mood. These are all-powerful creative tools that when applied thoughtfully can result in strong imagery.

Another technique is the silhouette, which uses a graphic approach to convey an idea. Any object or scene that is backlit and appears dark against a lighter background will work, but the key is to find a subject with highly defined edges. A diffused yet colorful background like a sunrise or sunset often works best as it compliments the scene and reinforces the message.

Try adding this technique to your visual toolkit to create powerful images that stand on their own and strengthen your visual storytelling.

 

©Russ Bishop/All Rights Reserved

The Wilderness Act

"The Wilderness Act" ~ Autumn hues and fresh powder, John Muir Wilderness, California
“The Wilderness Act” ~ Autumn hues in the John Muir Wilderness, California

Fifty-seven years ago on September 3rd, 1964 President Lyndon Johnson signed the Wilderness Act into law preserving over 9 million acres of wilderness – a place where people could experience nature with minimal impact on the environment and wildlife. Since then Congress has added more than 100 million acres of wilderness area creating a natural legacy for future generations, and a sanctuary to recharge our creative and spiritual batteries apart from today’s fast-paced urban world.

The legislation established the National Wilderness Preservation System, which recognizes wilderness as “an area where the Earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.” Unlike the National Parks, there is no management plan for traffic flow, employee housing or curio shops because there is simply no need. It is truly wild – nature in all its unprocessed beauty.

In this sense the two compliment each other nicely. Where the National Parks serve to protect iconic landforms and historic sites that might otherwise be subject to erosion, vandalism or overuse, wilderness areas often lack the spectacular formations which draw the masses and are instantly recognizable, but provide instead a subtle beauty and remote quality that begs for exploration and contemplation.

Ansel Adams spent the better part of his life working to preserve wilderness through his photographs and tireless appeals to Congress, and his images continue to define the power that nature has in our lives. I feel fortunate to be able to share my own view of the natural world through photography, but more importantly I’m glad those who came before me had the foresight and courage to preserve these special places where we can find renewal and experience our planet in its original untouched form.

“In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia.”  – Charles A. Lindbergh

 

©Russ Bishop/All Rights Reserved