Nature Photography | Russ Bishop Photography

April 10, 2023April 10, 2023

Yosemite Moonbows

Yosemite Moonbows. Yosemite National Park is a mecca for adventure and nature photography with its steep granite walls, lush meadows, alpine spires and booming waterfalls. I’ve spent four decades exploring its unique features and it always feels like home whenever I return.

But as with any well-loved location, it’s easy to find yourself in a creative quandary when it comes to seeking out new perspectives. With iconic landmarks around every turn, it’s a challenge to create fresh images that (no matter how beautiful) don’t leave you feeling as if you’ve just seen that same view in a recent car ad or magazine. So what to do?

As I’ve mentioned in a previous post, waterfalls are always a rewarding subject as no two shots will ever be the same. The flow of the water is in a constant state of flux and experimenting with shutter speed opens up a whole new world of creative expression. From what Ansel Adams called “straight photography” to ethereal artistic interpretation, the sky really is the limit with this liquid landscape.

Also known as lunar rainbows, moonbows are a unique phenomenon that occurs when the full moon illuminates the spray of a waterfall. The moon needs to be low in the sky (less than 42 degrees) and the night sky must be very dark making Yosemite an ideal location. The best times are typically 2 to 3 hours before sunrise or 2 to 3 hours after sunset when the brightness of the stars compliments the moonlight reflecting off the water.

Framing can be a challenge in such dim light, but once you have a composition set and your eyes have adjusted the fun part begins. Watching the moonbow magically appear and disappear with the ebb and flow of the spray is mesmerizing and makes for an evening of photography you won’t soon forget.

February 28, 2023February 28, 2023

Go With The Flow

Previsualization is an often used term in landscape photography – the process of researching a location, determining perspective through lens selection and framing, and forming a solid image in your mind’s eye before ever arriving at a scene or tripping the shutter. Ansel Adams referred to it often as “the ability to anticipate a finished image before making the exposure”, and it was a favorite expression of other luminaries such as Minor White and Edward Weston.

There is a lot to be said for this approach and it’s certainly the route I take whenever possible. If all goes according to plan, you do your homework, arrive at the predetermined location, setup the shot, then wait for the ideal light and the image falls into place. This technique works quite well much of the time (assuming you’ve done that homework), but there are those moments when mother nature simply won’t cooperate. The golden light has been replaced with drab overcast, the wind is determined to keep every leaf or flower in motion, or the road has been closed by an avalanche and you can’t even get to the desired location. Fear not, it’s happened to everyone.

This is the time to give in and go with the flow. There are still great images to be made, but now you need to throw out those mental notes and let that right brain have a little fun. When the flowers and leaves are blowing make abstracts. If the light is anything but exciting, avoid the sky and look for the soft even lighting illuminating the ground cover. And even if that avalanche has closed the road, this is the perfect time to take a detour and explore someplace you’ve never seen before.

So the next time that great image you’ve envisioned isn’t working out as planned, try an alternate approach and go with the flow. You might find your masterpiece was there all along just waiting to be discovered.

December 1, 2021December 1, 2021

A Sense of Place

Compelling landscape images stand on their own and connect the viewer with a sense of place or time. They can be displayed alone or in a series to tell a story, but they all have one thing in common. They make a statement about a location that defines its uniqueness.

The use of color or form in a composition can provoke an emotional response. Leading lines draw the viewer into the frame, creating tension that guides your audience towards the important elements you’re presenting. Shutter speed can illustrate the passing of time to create mood. These are all-powerful creative tools that when applied thoughtfully can result in strong imagery.

Another technique is the silhouette, which uses a graphic approach to convey an idea. Any object or scene that is backlit and appears dark against a lighter background will work, but the key is to find a subject with highly defined edges. A diffused yet colorful background like a sunrise or sunset often works best as it compliments the scene and reinforces the message.

Try adding this technique to your visual toolkit to create powerful images that stand on their own and strengthen your visual storytelling.