Nature Photography | Russ Bishop Photography | Nature Photo Blog

October 9, 2018June 7, 2022

My Backyard

As a landscape photographer I spend a fair amount of time on the road each year often traveling hundreds or thousands of miles to remote locations. So it struck a chord when it was recently suggested within the online community of photographers to showcase images of those special places that are close to home – essentially in our backyard.

I’m fortunate to have a national park adjacent to my community and, although it’s 11 miles offshore in the Pacific Ocean and I don’t make it out there as often as I’d like, I do get to see it most every day. Channel Islands National Park is made up of five of the eight Channel Islands with Santa Cruz seen here being the largest. The islands are rich in Native American culture and wildlife, and are a diver’s paradise. But even from afar they make a wonderful setting for a classic Southern California sunset.

When planning your next photographic adventure don’t overlook the local gems that are within easy reach and may provide just as much visual opportunity as those popular locations miles from home.

March 2, 2018September 3, 2020

Kings Canyon National Park

Dusy Basin in Kings Canyon National Park includes the largest concentration of 14,000 foot peaks in the Sierra Nevada range, and one of the southernmost glaciers in North America. As a major entry point for the John Muir Trail along the Sierra high route, this popular spot also makes a relatively easy weekend trip from the town of Bishop, passing through the John Muir Wilderness and over Bishop Pass.

Here the warm alpenglow on the The Palisade Group is reflected in one of the many alpine tarns scattered among this beautiful hanging valley. These pristine lakes are fed only by surrounding snow melt, and their glassy waters are the perfect complement for photographing magic hour in what John Muir so eloquently called the Range of Light.

January 18, 2018September 4, 2020

The Emotion of Motion

There’s something fascinating about visual movement that stirs our souls and creates a visceral response. I’m not referring to the exhilaration of skydiving or skiing down a mountain, but the more subtle visual connections we make while witnessing a dance performed on a stage, watching clouds race across a desert sky, or simply viewing a photograph of a silky waterfall frozen in time.

As photographers we have the privilege of stopping time or even slowing it down just long enough to give our viewers a glimpse of a world that can never be seen with our own eyes. We can illustrate a repetitive process over time such as a series of waves washing upon a shore, or create an abstract vision of color and form that has no resemblance to the natural world.

At these moments, there is a bond that occurs between subject and viewer that’s hard to put into words. Perhaps it’s our secret desire to slow the inevitable march of time or just a sense of voyeurism at seeing something beautiful that we know we shouldn’t be able to. I like to think of it as the emotion of motion.