High and Wild

Climbers on the classic traverse of Matthes Crest, Yosemite National Park, California (Russ Bishop/Russ Bishop Photography)

Climbers on the classic traverse of Matthes Crest, Yosemite National Park, California

Exploring the high peaks of the Sierra Nevada Mountains of California is a magical experience. The Range of Light, as John Muir affectionately called it, is essentially in my backyard (just a few hours drive away) and I try to make the most of it throughout the year. Winter is a fantastic time to discover the vast solitude that awaits the backcountry skier, late spring and summer provide ample opportunity to backpack to secluded lakes and hidden valleys, and autumn, my favorite time of year, is perfect for sharing the lofty summits with good friends.

Many of the peaks in the range average over 13,000 feet and the views stretch far and wide. Photography in the crisp, clear alpine air needs no polarizing filter to faithfully reproduce the deep indigo hue that looks as if it must have been tweaked in Photoshop. My go-to lens in these high and wild places is the Nikkor 16mm, which has a wide field of view, provides maximum depth of field with extremely close focusing, and is very compact making it especially easy to climb with.

Climbing photography is challenging as vantage points are often limited and safety always comes first. But the heightened sense of awareness that is a requirement when scaling the peaks has a dual benefit – that of visual clarity. Great shots have a way of presenting themselves, and capturing those images is often just a matter of living in the moment.

©Russ Bishop/All Rights Reserved

Get The Insurance, Shots

Peninsular Bighorn Sheep (Ovis canadensis cremnobates), Anza-Borrego Desert State Park, California USA (Russ Bishop/Russ Bishop Photography)

Peninsular Bighorn Sheep, Anza-Borrego Desert State Park, California

Wildlife photography is not my specialty, but I never pass up the opportunity to add a dynamic element to my landscapes when the local fauna is easily accessible. On a recent trip to Anza-Borrego Desert State Park I had heard that the endangered Peninsular Bighorn Sheep were frequenting the canyons, so I made a point of seeking out these magnificent animals. Still after three days in the park and many miles on the trail I had plenty of great images of blooming succulents and lush oasis, but not a single animal.

Then shortly before leaving the park I decided to make one last trip up Borrego Palm Canyon where, just a half mile up the trail, this handsome creature appeared on the ridge above me. Assuming I might only get a glimpse before he darted up the canyon wall, I took my obligatory insurance shots then waited to see his reaction. Much to my surprise he wasn’t in a hurry, so I left the trail (in a wide arc giving him plenty of room) to get a better angle. At first he was attentive to my movement but not agitated as I crossed the ridge and moved closer, then he seemed to accept my presence and for the next hour provided me with an amazing one-on-one photo session that I won’t soon forget.

Now I would have loved to have ended the day on that note, but unfortunately as the title of this post suggests, my luck had run its course. Not twenty minutes after heading down the trail, I somehow managed to slip on a rock (something I haven’t done in 35 years of traipsing through the wilderness), fell hard on my right side, and watched in horror as my Nikon body and 70-200mm lens lay in five pieces not far from my head. Fortunately I wasn’t injured and my equipment was insured. In fact, the great people at Rand Insurance (who underwrite my Nanpa policy) were so efficient that I was able to replace the equipment within ten days – just in time for an upcoming trip to Europe.

So if there is a moral to this story, it’s to keep taking those insurance shots when opportunity presents itself (and with a little luck you’ll come away with much more). And above all, make sure your equipment policy is up to date!

©Russ Bishop/All Rights Reserved

Lensbaby Allure

California Poppy detail (Eschscholtzia californica), Antelope Valley, California
California Poppy detail (Eschscholtzia californica), Antelope Valley, California

Ever feel like you’re in a photographic rut? Like the images just aren’t flowing through the lens and onto the sensor as easily as they should? New and stunning scenery will always help inspire the creative juices, but what if travel isn’t in the cards right now? Sounds like the perfect time to try out a new perspective and a great tool for this is the Lensbaby.

There’s no question that this is the oddest thing you’ll ever attach to the front of your camera, and using it is definitely a throw-back to the dark ages of photography with its completely manual focus and exposure. What started out as a toy-like novelty with a plastic lens and bellows has evolved into a series of high-quality tools each with a slightly different slant (pun intended). Basically its a limited use selective focus lens that mimics the look of a Holga camera with the added ability to move the sweet spot of focus to any desired part of the frame and vary the depth of the out of focus areas. Mounts are available for all major DSLR models and a macro kit is also available.

This is a fun lens to use and creatively its application is unlimited. So the next time you find yourself in creative funk, give this little gem a try and see the world in a whole new light.

 

©Russ Bishop/All Rights Reserved