Equipment | Russ Bishop Photography | Nature Photo Blog

July 2, 2013March 9, 2018

Ocotillo under the Milky Way

My latest post in the Behind the Shot section of the Outdoor Photographer Blog features the night sky in Anza-Borrego Desert State Park. With this conceptual image, I wanted to combine several elements to convey the sense of wonder that you experience on a moonless night in this unique park. Take an odd looking succulent, add bit of light painting and the Milky Way, and well you get the picture…

To read more about Anza-Borrego and how this image was made, visit the OP Blog here.

June 1, 2012August 6, 2019

Intimate Landscapes

California Poppies (Eschscholtzia californica), Antelope Valley, California

Here in Southern California winter came in spurts this year and never really realized its full potential. As a result, the spring blooms were much lighter than usual in places like Antelope Valley and Anza-Borrego, but we can always rely on a few favorite annuals like the poppies and barrel cactus to make a showing even in the dry years. The trick is to shift our attention from the big picture to the small.

As a photographer, the change in weather patterns simply means we need to adjust our perspective. Instead of grand fields of endless flowers that fill our wide-angle frame with edge to edge color, there are still wonderful images to be made, but we need to move in and get personal with the flora. The grand panoramas have now been replaced with shallow depth of field and selective focus that explores the color and detail of our favorite spring-time subjects. This is the time to pull out the macro, extension tubes, or Lensbaby and get intimate!

In the higher elevations where spring will arrive a little later there is still time to put this into practice. Of course the alpine environments with their glorious peaks as a backdrop always tend to win over our visual sensitivities, but once you’ve preserved the big picture it’s time to turn your attention to the intimate landscapes.

November 3, 2011November 6, 2015

Figures on a Landscape

Hiker at the colorful Cedar Breaks Amphitheater, Cedar Breaks National Monument, Utah

There’s a popular climb at Joshua Tree called “Figures on a Landscape” that got me thinking about the connection between man and the environment. Not so much from an environmental standpoint (this could fill numerous posts), but photographically speaking. The climb is not long by Yosemite standards, but the lack of apparent holds on the colorful granite creates the illusion of climbers floating on a much larger stone palette.

Landscape photography can often portray the natural world in abstract even with the best intentions of preserving its true form. It’s the nature of the beast – and that’s fine when you’re creating intentional abstracts or scale is irrelevant. Perspective control lenses and software can correct bending horizons and converging trees to create a more accurate representation if necessary, but there isn’t much else in nature that conforms to our linear way of thinking.

Don’t get me wrong, that’s a good thing! Nature should be wild and chaotic and unpredictable, and in most cases that’s exactly what we’re hoping to capture. But there are times when this can also lead to confusion with our audience. When you’re trying to convey a sense of scale such as the immensity of the Grand Canyon or the vastness of the night sky the simple inclusion of a person in the frame can give your image an instant focal point and more importantly, a sense of perspective.