Afternoon haze over the Sierra Nevada foothills, Sequoia National Park, California
Simplify, Simplify. Thoreau’s famous words apply as much to successful landscape photography as life itself. Often when we first approach a classic scene we’re inclined to capture as much of it as possible in hopes that nothing is left out.
Many times a wide-angle view is the best perspective for those grand vistas, but it needs to be carefully composed in order to guide the viewer’s eye through the frame. Problems arise when there is too much information and the image becomes cluttered and confusing. That’s the time to go long and distill the key elements down to their essence.
As with taking on too much in our lives and missing the forest for the trees, sometimes we need to simplify the scene to make it stronger. By carefully cropping out distracting elements and focusing on light and form we can create images with more visual impact that connect with our audience on a deeper level.
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.
You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.
When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.
So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!
The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.
Hikers on the Mount Whitney trail, John Muir Wilderness, California
Light and Fast – Tips for Dynamic Adventure Photography. As with many outdoor photographers, the late Galen Rowell was a big influence in my life and early in my career I adopted his mantra of “light and fast” when photographing in the wilderness. His advice still works as well in today’s digital world as it did in the days of film, and I’m sure he would have embraced the realm of pixels and megabytes.
When shooting adventure images, either on the trail or the side of a mountain, I still use the same techniques I did 25 years ago when my camera of choice was a lightweight Nikon FM2 loaded with Velvia and matched with my favorite 24mm f2.8 lens. Although the F3 was my workhorse when shooting fine art landscapes back then (just as my D850 is today), these bodies are overkill for action shots when weight and efficiency are prime considerations in getting the shot.
Today my D7200 has replaced my FM2 with its perfect balance of weight and function (even the batteries are the same as my D850!). And my tiny Nikkor 16mm f2.8 is the ideal complement to that body, with its DX crop revealing an image almost identical to my favorite 24mm. Both of these lenses are extremely sharp even handheld, and offer amazing depth of field for those in-your-face action shots. Most importantly, this setup is so small and light I don’t even know it’s there when skiing, trekking or climbing.
It’s been said many times that vision is more important than gear when making captivating images, and this is especially true when you leave the pavement. Using the available light and following the action is paramount when the conditions are rapidly changing, and the last thing you want is for your equipment to slow you down just when the images are starting to materialize.
Another often overlooked element is physical conditioning. As a photographer you might not be making all the hard moves that you’re trying to document in your subjects, but you often need to travel lightly and move quickly over rough terrain just to keep up – all while staying one step ahead of the oxygen-depleted air at higher altitudes!
Adventure photography is a fast paced form of visual storytelling that should leave your audience feeling like they are part of the action. But as any seasoned wilderness traveler will tell you, the key to success is to stay fit, pack smart, and travel light. Remember Galen’s rule and make sure your equipment is as transparent as possible. It’ll allow you to live in the moment – and that’s where the great images are found.
