The Path Less Traveled

Fresh snow on fall aspens and pines along Bishop Creek, Inyo National Forest, Sierra Nevada Mountains, California USA (Russ Bishop/Russ Bishop Photography)

Fresh snow on fall aspens and pines, Inyo National Forest, California

There’s been an ongoing discussion in the photography world lately about art and originality, that of creating images that are not the photographer’s personal vision so much as an attempt to copy the work of others. In extreme cases some would argue this isn’t art at all, but rather a mechanized form of duplication. The unfortunate result is that many photographers are no longer willing to share information about specific locations, and those photographers involved in the practice are missing the opportunity to show the world their own unique vision.

This trend is ironic given that we’re a country born of rugged individualism, and photography above all is a form of personal expression. But it’s no surprise when we are surrounded by such a lack of creativity in society today – movie remakes of 70’s television shows; advertisements using surprisingly similar images; and politicians repeating the same words as if they are uniquely their own. Perhaps this lack of originality is due to tight deadlines and too little time in our fast-paced world, or simply a fear of the unknown.

Before I head off on a shoot (especially if it’s a location I’ve never been to before) I thoroughly research the area geographically and geologically, and I’ll also review images of the area as a reference point to get a sense of place. But then after immersing myself in the details at home, I use the travel time to clear my head and fine tune my receptors to soak in whatever the location may offer.

Instead of previsualizing, I prefer to see a place through a child’s eye as if I’m the first ever to experience it. I’ll often avoid the obvious viewpoint whenever possible in favor of an angle that combines the key elements of the scene in a fresh, new way. When that’s a challenge, I’ll try a different lens or shutter speed or perhaps just wait for the light or weather to change.

So dare to be different and embrace the unknown! Find your own unique vision in photography and in life – and enjoy the rewards of the path less traveled.

 

 

©Russ Bishop/All Rights Reserved

Kids in Nature

Kids in Nature. Kids enjoying the view in the Cottonwood Lakes Basin, John Muir Wilderness, California USA
Kids enjoying the view at Cottonwood Lakes Basin, John Muir Wilderness, California

Kids in Nature. I have mixed feelings as I write this post. The image is a favorite location in the Sierras and a fond memory of a special trip with my kids to the wilderness. But it also holds a deeper meaning, a realization that future generations may not see the value in protecting such areas especially if they have little opportunity to experience them at an early age and ultimately appreciate and preserve them.

Many children today are losing the basic understanding that nature exists even in their own backyards and neighborhoods, which further disconnects them from their knowledge and appreciation of the natural world. It’s important to realize that enjoying a city park can be just as valuable as visiting a wilderness area in terms of instilling a life-long connection with nature.

Richard Louv, in his book Last Child in the Woods, explores research linking the absence of nature in children’s lives to rising rates of obesity, attention disorders, and depression.  His findings point to an overload of electronic media combined with an understandable concern for safety from parents unwilling to just let their kids roam free.

Fortunately Ken Burns popular series America’s Best Idea spurred new interest in our national parks, bringing families together in the outdoors and reversing a trend in recent years referred to as “nature deficit disorder”.

I am a member of several conservation organizations whose common goal is to preserve the natural world and to remind us of the less obvious ways that nature enhances our lives. It can improve our physical health and mental outlook, and most importantly it nurtures our souls.  “In wildness is the preservation of the world” –  today Thoreau’s words are as meaningful as ever and if embraced by the next generation will ring true long into the future.

 

 

©Russ Bishop/All Rights Reserved

Light and Fast – Tips for Dynamic Adventure Photography

Light and Fast - Tips for Dynamic Adventure Photography. Hikers on the Mount Whitney trail, John Muir Wilderness, Sierra Nevada Mountains, California
Hikers on the Mount Whitney trail, John Muir Wilderness, California

Light and Fast – Tips for Dynamic Adventure Photography. As with many outdoor photographers, the late Galen Rowell was a big influence in my life and early in my career I adopted his mantra of “light and fast” when photographing in the wilderness. His advice still works as well in today’s digital world as it did in the days of film, and I’m sure he would have embraced the realm of pixels and megabytes.

When shooting adventure images, either on the trail or the side of a mountain, I still use the same techniques I did 25 years ago when my camera of choice was a lightweight Nikon FM2 loaded with Velvia and matched with my favorite 24mm f2.8 lens. Although the F3 was my workhorse when shooting fine art landscapes back then (just as my D850 is today), these bodies are overkill for action shots when weight and efficiency are prime considerations in getting the shot.

Today my D7200 has replaced my FM2 with its perfect balance of weight and function (even the batteries are the same as my D850!). And my tiny Nikkor 16mm f2.8 is the ideal complement to that body, with its DX crop revealing an image almost identical to my favorite 24mm. Both of these lenses are extremely sharp even handheld, and offer amazing depth of field for those in-your-face action shots. Most importantly, this setup is so small and light I don’t even know it’s there when skiing, trekking or climbing.

It’s been said many times that vision is more important than gear when making captivating images, and this is especially true when you leave the pavement. Using the available light and following the action is paramount when the conditions are rapidly changing, and the last thing you want is for your equipment to slow you down just when the images are starting to materialize.

Another often overlooked element is physical conditioning. As a photographer you might not be making all the hard moves that you’re trying to document in your subjects, but you often need to travel lightly and move quickly over rough terrain just to keep up – all while staying one step ahead of the oxygen-depleted air at higher altitudes!

Adventure photography is a fast paced form of visual storytelling that should leave your audience feeling like they are part of the action. But as any seasoned wilderness traveler will tell you, the key to success is to stay fit, pack smart, and travel light. Remember Galen’s rule and make sure your equipment is as transparent as possible. It’ll allow you to live in the moment – and that’s where the great images are found.

 

©Russ Bishop/All Rights Reserved