Trees | Russ Bishop Photography

July 16, 2021July 16, 2021

Visual Opportunity Is Closer Than You Think

The Milky Way and Perseid meteors over Rose Valley, Los Padres National Forest, California USA — The Milky Way and Perseid meteors, Los Padres National Forest, California

It’s been said that you don’t need to circle the globe to find wonderful subjects to photograph. And while shooting close to home may not sound as exciting as travelling to far off exotic destinations, quite often those grand landscapes and intimate details can be found right in your own backyard.

I’m fortunate to live in Southern California where icons like Death Valley and Joshua Tree National Parks are within a day’s drive, yet I’ve discovered many less frequented local spots that can be just as rewarding for photography. Los Padres National Forest is one such place that includes a large portion of California’s coastal mountains from Ojai to Monterey. Nearly half of the forest is designated wilderness that ranges from semi-desert in the interior areas to redwood forests on the coast, providing a wealth of photographic potential.

So the next time you’re scouting photo locations or just searching for a quiet place to call your own don’t forget the state parks, national forests, and other public lands nearby. You won’t experience the crowds or expense that come with the bigger parks and international travel, and you might just be surprised by the quality images and visual opportunities that can be found close to home.

April 4, 2014October 30, 2015

Visual Abstraction

Bare trees, Yosemite National Park, California USA

As landscape photographers the natural world provides us with an unlimited source of subject matter and inspiration. Much of the time we choose to let nature dictate the scene, creating “straight photography” as Ansel Adams referred to it, by selecting a lens and exposure that will faithfully record the natural beauty we see before us.

Unfortunately conditions in the wild are not always ideal and often we’re forced to adjust our approach to image making. Flat light, wind, or a recent fire can all derail our idea of the perfect landscape. But, as I’ve mentioned previously, this is where we need to think outside the box and go with the flow creatively. The pure images might have to wait for another day, but the glass is half full. A whole new world of visual storytelling is waiting to happen for those willing to give their tripod the day off and think of their camera as a brush and canvas.

The term abstraction (from the Latin abs, meaning away from and trahere, meaning to draw) is the process of taking away or removing elements from something in order to reduce it to a set of essential characteristics. Merriam Webster defines abstraction as “art unconcerned with the literal depiction of things from the visible world”. In short, we want to know that it’s a tree or a flower, but beyond that we’re free to roam aesthetically.

Abstract photography is becoming increasingly popular these days as a form of self-expression. By imparting mood and feeling, in many ways abstracts provide a stronger emotional bond between an image and its audience than a straight image. Much like seeing the world through a new lens, the idea here is to intentionally create art and not document reality. Motion blurs, pans, and zooms at a slower shutter speed are typical techniques for creating natural abstracts, but the possibilities are endless.

The next time mother nature is being uncooperative and the straight photography is leaving you uninspired, take a detour and have fun with this liberating technique. Your inner child will thank you, and all you have to remember is that there are no rules and you can’t make any mistakes.

“Don’t shoot what it looks like. Shoot what it feels like.” -David Alan Harvey

February 18, 2011November 5, 2015

Bristlecone Pines

Ancient Bristlecone pines in the Patriarch Grove, White Mountains, California

California is a land of superlatives and nowhere is this more pronounced than along the eastern escarpment of the Sierra Nevada Mountains. From the lofty summit of Mount Whitney at nearly 15,000 feet (the highest point in the lower 48) to the barren plain of Badwater in Death Valley at 282 feet below sea level is a distance of just over 100 miles.

The Owens Valley, which lies between them, is the deepest chasm in North America, and to the east on the barren upper slopes of the White Mountains the oldest living trees on earth cling to life in this other-worldly landscape.