The Path Less Traveled

Fresh snow on fall aspens and pines along Bishop Creek, Inyo National Forest, Sierra Nevada Mountains, California USA (Russ Bishop/Russ Bishop Photography)

Fresh snow on fall aspens and pines, Inyo National Forest, California

There’s been an ongoing discussion in the photography world lately about art and originality, that of creating images that are not the photographer’s personal vision so much as an attempt to copy the work of others. In extreme cases some would argue this isn’t art at all, but rather a mechanized form of duplication. The unfortunate result is that many photographers are no longer willing to share information about specific locations, and those photographers involved in the practice are missing the opportunity to show the world their own unique vision.

This trend is ironic given that we’re a country born of rugged individualism, and photography above all is a form of personal expression. But it’s no surprise when we are surrounded by such a lack of creativity in society today – movie remakes of 70’s television shows; advertisements using surprisingly similar images; and politicians repeating the same words as if they are uniquely their own. Perhaps this lack of originality is due to tight deadlines and too little time in our fast-paced world, or simply a fear of the unknown.

Before I head off on a shoot (especially if it’s a location I’ve never been to before) I thoroughly research the area geographically and geologically, and I’ll also review images of the area as a reference point to get a sense of place. But then after immersing myself in the details at home, I use the travel time to clear my head and fine tune my receptors to soak in whatever the location may offer.

Instead of previsualizing, I prefer to see a place through a child’s eye as if I’m the first ever to experience it. I’ll often avoid the obvious viewpoint whenever possible in favor of an angle that combines the key elements of the scene in a fresh, new way. When that’s a challenge, I’ll try a different lens or shutter speed or perhaps just wait for the light or weather to change.

So dare to be different and embrace the unknown! Find your own unique vision in photography and in life – and enjoy the rewards of the path less traveled.

 

 

©Russ Bishop/All Rights Reserved

The Emotion of Motion

The Emotion of Motion. Koi pond, Island of Kauai, Hawaii
Koi pond, Island of Kauai, Hawaii

The Emotion of Motion. There’s something fascinating about visual movement that stirs our souls and creates a visceral response. I’m not referring to the exhilaration of skydiving or skiing down a mountain, but the more subtle visual connections we make while witnessing a dance performed on a stage, watching clouds race across a desert sky, or simply viewing a photograph of a silky waterfall frozen in time.

As photographers we have the privilege of stopping time or even slowing it down just long enough to give our viewers a glimpse of a world that can never be seen with our own eyes. We can illustrate a repetitive process over time such as a series of waves washing upon a shore, or create an abstract vision of color and form that has no resemblance to the natural world.

At these moments, there is a bond that occurs between subject and viewer that’s hard to put into words. Perhaps it’s our secret desire to slow the inevitable march of time or just a sense of voyeurism at seeing something beautiful that we know we shouldn’t be able to. I like to think of it as the emotion of motion.

 

©Russ Bishop/All Rights Reserved

Happy Birthday Ansel Adams

Happy Birthday Ansel Adams. Yosemite Valley from Tunnel View, Yosemite National Park, California
Yosemite Valley from Tunnel View, Yosemite National Park, California

Happy birthday Ansel Adams! The master of landscape photography, who was born February 20, 1902, had a profound affect on my creative direction and continues to be an inspiration to generations of outdoor photographers.

Adams pioneered the idea of previsualization, the concept of seeing the final image in the mind’s eye before the photo is created. He also co-founded Group f/64 with other photographic masters Edward Weston and Imogen Cunningham, and he developed the Zone System, a technique for translating perceived light into specific densities to allow better control over finished photographs. Though he lived well before the time of megapixels and monitors I think he would have embraced the creative possibilities of the digital age.

As a strong advocate for the environment, his iconic black and white images of the American West influenced powerful decision makers in Washington and helped preserve places like Yosemite and Kings Canyon National Parks and California’s iconic Big Sur coast. Ansel was also largely responsible for photography being accepted into the world of fine art, culminating in major exhibitions at the Metropolitan Museum of Art.

He was awarded the Presidential Medal of Freedom, the nation’s highest civilian honor, in 1980. And shortly after his death in 1984, the Minarets Wilderness in his beloved Sierra Nevada Mountains was re-named the Ansel Adams Wilderness in his honor.

Thank you Ansel – your legacy lives on!

“Photography is more than a medium for factual communication of ideas. It is a creative art.”   ~ Ansel Adams

 

©Russ Bishop/All Rights Reserved