Devil’s Postpile

Afternoon light on cliff and blocks of columnar basalt at Devil's Postpile, Devil's Postpile National Monument, California (Russ Bishop/Russ Bishop Photography)

Cliff and columnar basalt, Devil’s Postpile National Monument, California

This small national monument near Mammoth Lakes in the eastern Sierra Nevada is celebrating its centennial this week. It was spared a watery burial one hundred years ago today when congress saved it from a proposed dam on July 6, 1911.

Its unusual basalt columns are the by-product of an ancient lava lake, which rapidly formed and then cooled leaving behind the perfectly shaped hexagonal pillars that make up the cliff. The constant force of winter freeze and thaw is slowly eroding the formation, and the symmetrical blocks that look as though they were snapped together are littered at its base like a child’s building blocks.

The road to the monument, which is closed in winter but easily accessible the rest of the year, is just past the Mammoth Mountain ski area and is also the jumping off point for the popular Minarets and Ansel Adams Wilderness.

©Russ Bishop/All Rights Reserved

Lightning Strikes Twice

Lightning striking the Ajo Mountains, Organ Pipe Cactus National Monument, Arizona (Russ Bishop/Russ Bishop Photography)

Contrary to popular belief lightning can strike the same place twice as shown in this timed exposure in the Ajo Mountains of Arizona. Although there are devices available for capturing lightning images, I find that composing a shot and then making a timed exposure of one to three minutes in sync with the rhythm of the strikes works just as well.

This image was made with a 300mm lens at a distance of about ten miles. While heading back from a day of shooting at Organ Pipe Cactus National Monument, I noticed the storm in the distance just after sunset and was surprised by the consistency of the strikes on the ridge. Shooting lightning can be dangerous (a tripod makes a good lightning rod!), but the conditions were perfect on this evening with clear skies above me and the long lens bringing the drama safely into view. The challenging part was actually framing the image in complete darkness using only the light from the strikes to compose. After opening the shutter, I watched and waited as mother nature created her elaborate light painting.

©Russ Bishop/All Rights Reserved