Autumn | Russ Bishop Photography

November 14, 2025November 14, 2025

The Path Less Traveled

Fresh snow on fall aspens and pines, Inyo National Forest, California

There’s been an ongoing discussion in the photography world lately about art and originality, that of creating images that are not the photographer’s personal vision so much as an attempt to copy the work of others. In extreme cases some would argue this isn’t art at all, but rather a mechanized form of duplication. The unfortunate result is that many photographers are no longer willing to share information about specific locations, and those photographers involved in the practice are missing the opportunity to show the world their own unique vision.

This trend is ironic given that we’re a country born of rugged individualism, and photography above all is a form of personal expression. But it’s no surprise when we are surrounded by such a lack of creativity in society today – movie remakes of 70’s television shows; advertisements using surprisingly similar images; and politicians repeating the same words as if they are uniquely their own. Perhaps this lack of originality is due to tight deadlines and too little time in our fast-paced world, or simply a fear of the unknown.

Before I head off on a shoot (especially if it’s a location I’ve never been to before) I thoroughly research the area geographically and geologically, and I’ll also review images of the area as a reference point to get a sense of place. But then after immersing myself in the details at home, I use the travel time to clear my head and fine tune my receptors to soak in whatever the location may offer.

Instead of previsualizing, I prefer to see a place through a child’s eye as if I’m the first ever to experience it. I’ll often avoid the obvious viewpoint whenever possible in favor of an angle that combines the key elements of the scene in a fresh, new way. When that’s a challenge, I’ll try a different lens or shutter speed or perhaps just wait for the light or weather to change.

So dare to be different and embrace the unknown! Find your own unique vision in photography and in life – and enjoy the rewards of the path less traveled.

August 29, 2024August 29, 2024

Fall Color Photography – Where’s The Light?

Fresh snow on fall aspens and pines, Inyo National Forest, California USA

Fall Color Photography – Where’s The Light? Successful fall color photography obviously starts with planning around the seasonal changing of the leaves (and this Fall Color Map can help), but once you’ve scouted your location there’s another key factor to consider.

Where and how the color happens is dependent upon elevation and temperature and no two years are ever the same. The higher mountains of the west begin in mid-September, eastern hardwoods in October, and the lower red-rock country of the southwest typically in early November. Once you’ve settled on a destination and found that great grove of trees the next step is to understand the light.

It might seem like the vibrant reds or yellows before you would be faithfully reproduced by your sensor no matter what time of day, but understanding the quality of the light can go along way towards guaranteeing your success. Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background.

Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting as the shadows are eliminated and the uniform light both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light and framing, and don’t be too quick to trip the shutter. A slight change in position or a little patience can often make the difference between a good image and a great one.

September 2, 2021September 2, 2021

The Wilderness Act

Fifty-seven years ago on September 3rd, 1964 President Lyndon Johnson signed the Wilderness Act into law preserving over 9 million acres of wilderness – a place where people could experience nature with minimal impact on the environment and wildlife. Since then Congress has added more than 100 million acres of wilderness area creating a natural legacy for future generations, and a sanctuary to recharge our creative and spiritual batteries apart from today’s fast-paced urban world.

The legislation established the National Wilderness Preservation System, which recognizes wilderness as “an area where the Earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.” Unlike the National Parks, there is no management plan for traffic flow, employee housing or curio shops because there is simply no need. It is truly wild – nature in all its unprocessed beauty.

In this sense the two compliment each other nicely. Where the National Parks serve to protect iconic landforms and historic sites that might otherwise be subject to erosion, vandalism or overuse, wilderness areas often lack the spectacular formations which draw the masses and are instantly recognizable, but provide instead a subtle beauty and remote quality that begs for exploration and contemplation.

Ansel Adams spent the better part of his life working to preserve wilderness through his photographs and tireless appeals to Congress, and his images continue to define the power that nature has in our lives. I feel fortunate to be able to share my own view of the natural world through photography, but more importantly I’m glad those who came before me had the foresight and courage to preserve these special places where we can find renewal and experience our planet in its original untouched form.

“In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia.” – Charles A. Lindbergh