2023 – The Year in Pictures. Here is a selection of favorite images released in the past year. These are not necessarily my best or most popular, but each represents a special moment in time in which the beauty of this amazing world revealed itself before my lens.
Please share and enjoy! I’d love to know your thoughts and if any images resonated with you or conjured up good memories. You can click on any image for a large high quality view, to learn more about it or purchase a fine art print.
I look forward to seeing your favorite images, and most of all I wish everyone a healthy and Happy New Year!
-Russ
Punch Bowl Falls, Columbia River Gorge National Scenic Area, OregonGranite boulders at Jumbo Rocks, Joshua Tree National Park, CaliforniaIcebergs on glacial meltwater, Jasper National Park, CanadaClearing winter storm over Yosemite Valley, Yosemite National Park, CaliforniaWildflowers at sunrise, Columbia River Gorge National Scenic Area, OregonBackpacker on the Bishop Pass Trail, John Muir Wilderness, CaliforniaGiant Sequoia in the Congress Grove, Sequoia National Park, CaliforniaKalalau Beach, Napali Coast Wilderness State Park, Kauai, HawaiiWildflowers in the Temblor Range, Carrizo Plain National Monument, CaliforniaMilky Way over Sierra Nevada Mountains, John Muir Wilderness, CaliforniaForest abstract, Yosemite National Park, CaliforniaFairy Falls, Columbia River Gorge National Scenic Area, Oregon USA
Wildflower abstract, Tehachapi Mountains, Angeles National Forest, California
Previsualization is an often used term in landscape photography – the process of researching a location, determining perspective through lens selection and framing, and forming a solid image in your mind’s eye before ever arriving at a scene or tripping the shutter. Ansel Adams referred to it often as “the ability to anticipate a finished image before making the exposure”, and it was a favorite expression of other luminaries such as Minor White and Edward Weston.
There is a lot to be said for this approach and it’s certainly the route I take whenever possible. If all goes according to plan, you do your homework, arrive at the predetermined location, setup the shot, then wait for the ideal light and the image falls into place. This technique works quite well much of the time (assuming you’ve done that homework), but there are those moments when mother nature simply won’t cooperate. The golden light has been replaced with drab overcast, the wind is determined to keep every leaf or flower in motion, or the road has been closed by an avalanche and you can’t even get to the desired location. Fear not, it’s happened to everyone.
This is the time to give in and go with the flow. There are still great images to be made, but now you need to throw out those mental notes and let that right brain have a little fun. When the flowers and leaves are blowing make abstracts. If the light is anything but exciting, avoid the sky and look for the soft even lighting illuminating the ground cover. And even if that avalanche has closed the road, this is the perfect time to take a detour and explore someplace you’ve never seen before.
So the next time that great image you’ve envisioned isn’t working out as planned, try an alternate approach and go with the flow. You might find your masterpiece was there all along just waiting to be discovered.
There’s something fascinating about visual movement that stirs our souls and creates a visceral response. I’m not referring to the exhilaration of skydiving or skiing down a mountain, but the more subtle visual connections we make while witnessing a dance performed on a stage, watching clouds race across a desert sky, or simply viewing a photograph of a silky waterfall frozen in time.
As photographers we have the privilege of stopping time or even slowing it down just long enough to give our viewers a glimpse of a world that can never be seen with our own eyes. We can illustrate a repetitive process over time such as a series of waves washing upon a shore, or create an abstract vision of color and form that has no resemblance to the natural world.
At these moments, there is a bond that occurs between subject and viewer that’s hard to put into words. Perhaps it’s our secret desire to slow the inevitable march of time or just a sense of voyeurism at seeing something beautiful that we know we shouldn’t be able to. I like to think of it as the emotion of motion.
