Visual Opportunity – It’s in the Details

New spring growth on an evergreen branch, Olympic National Park, Washington
New spring growth on an evergreen branch, Olympic National Park, Washington

Grand landscapes are the cornerstone of most outdoor photography, but when we focus on the singular image it’s easy to overlook a key element in visual storytelling and a golden opportunity. The details.

When the light is dramatic we are often transfixed and it’s only natural to want to capture the whole of nature’s beauty before us – whether it’s a fiery sunset that fills the sky or a hillside covered in golden autumn hues. The mantra is often “go wide” as we reach for our ultra-wide lens to take it all in. But it’s important to remember that the big picture is just one element in conveying the emotion that we felt at the scene, and sometimes less is more.

The details, which often lay at our feet and are so easily overlooked, not only create a continuity in telling the story of a particular location, but can result in images that stand quite well on their own. Once you’ve captured that big beautiful landscape take another look around before leaving the scene – this is the perfect time to focus on the little things.

“Sometimes you can tell a large story with a tiny subject.”  ~Eliot Porter

 

©Russ Bishop/All Rights Reserved

Yosemite Dogwood – Spring in the Sierra

Mountain Dogwood (Cornus nuttallii) above the Merced River, Yosemite National Park, California
Mountain Dogwood above the Merced River, Yosemite National Park, California

Spring is just around the corner and with the regular precipitation we’re seeing (compared to years past) it’s expected that the popular high desert wildflower displays should put on another great show. The typical hot-spots out west including Antelope Valley, Anza-Borrego and Death Valley need rain in January for the flowers to germinate and this year is shaping up nicely.

But for those looking for a more reliable spring fix you just need to set your sights a little higher. All that color, grace, and beauty will make a showing – just in a slightly different form and at a higher elevation. Blooming trees and shrubs like Yosemite’s famous Mountain Dogwood (Cornus nuttallii) and the vibrant Western Redbud (Cercis occidentalis) aren’t as susceptible to seasonal changes and should still be in full glory later in April and May when the desert annuals are starting to wind down.

Spring is a wonderful time to visit Yosemite and the Sierra foothills with fewer crowds, mild temperatures, and endless photographic possibilities.

 

©Russ Bishop/All Rights Reserved

Grand Staircase-Escalante

Slot canyon in Spooky Gulch, Grand Staircase-Escalante National Monument, Utah
Slot canyon in Spooky Gulch, Grand Staircase-Escalante National Monument, Utah

One of the largest yet least explored parks in the country, Grand Staircase-Escalante National Monument is a vast desert landscape of mesas, slot canyons, petrified sand dunes, archaeological treasures and American history. Divided by a single long ridge called the Kaiparowits Plateau, this remote region was the last place in the continental United States to be mapped and is a wonderful destination to find that desert solitude that Edward Abbey so passionately wrote about.

From the south, the Vermilion, White, Gray, and Pink cliffs rise to form the giant multi-hued terraces of the Grand Staircase. And to the east the Escalante Canyons are a labyrinth of geologic wonders slowly winding their way down to Lake Powell. Together these escarpments expose 200 million years of the earth’s history in a visual feast for the eyes, and contain the most continuous record of Late Cretaceous terrestrial life in the world.

For the photographer, the Grand-Staircase Escalante National Monument is a sublime location where the possibilities are endless and the light, which seems to glow from within, is worthy most anytime of day. I’ve often said you could spend your whole life in southern Utah and not see it all, but that might just be true of this very special park. The temptation to try is always present.

 

©Russ Bishop/All Rights Reserved