Southwest Seduction

Afternoon light on rock formations in fog below Bryce Point, Bryce Canyon National Park, Utah. (Russ Bishop/Russ Bishop Photography)

The southwest desert of the Colorado Plateau is one of the most sought-after locations for landscape photographers in North America and rightly so. With a higher concentration of jaw dropping parks and wilderness than almost anywhere else in the US, you could spend the rest of your life here and still not see all of its wonders.

But winter brings a special element as the first snows blanket the red rock country giving its prominent features a fairytale look. This image made at Bryce Canyon National Park highlights its famous spires or “hoodoos,” which have formed over a millennia as ice and rain wear away the weak limestone that makes up the colorful Claron Formation. High on the Grand Staircase at an elevation of over 8,000 feet the air is especially cold and dry, and the park’s azure skies can often provide visibility up to 100 miles.

So if you’re thinking about a southwest road trip, consider the quieter winter months. With much fewer crowds and unique photo opportunities, you’ll be glad you did – just don’t forget the spare batteries and the cold weather gear.

©Russ Bishop/All Rights Reserved

Figures on a Landscape

Hiker looking down on the colorful Cedar Breaks Amphitheater, Cedar Breaks National Monument, Utah (Russ Bishop/Russ Bishop Photography)

Hiker at the colorful Cedar Breaks Amphitheater, Cedar Breaks National Monument, Utah

There’s a popular climb at Joshua Tree called “Figures on a Landscape” that got me thinking about the connection between man and the environment. Not so much from an environmental standpoint (this could fill numerous posts), but photographically speaking. The climb is not long by Yosemite standards, but the lack of apparent holds on the colorful granite creates the illusion of climbers floating on a much larger stone palette.

Landscape photography can often portray the natural world in abstract even with the best intentions of  preserving its true form. It’s the nature of the beast – and that’s fine when you’re creating intentional abstracts or scale is irrelevant. Perspective control lenses and software can correct bending horizons and converging trees to create a more accurate representation if necessary, but there isn’t much else in nature that conforms to our linear way of thinking.

Don’t get me wrong, that’s a good thing! Nature should be wild and chaotic and unpredictable, and in most cases that’s exactly what we’re hoping to capture. But there are times when this can also lead to confusion with our audience. When you’re trying to convey a sense of scale such as the immensity of the Grand Canyon or the vastness of the night sky the simple inclusion of a person in the frame can give your image an instant focal point and more importantly, a sense of perspective.

©Russ Bishop/All Rights Reserved

Mono Lake

Tufa formations at sunset on the south shore of Mono Lake, Mono Basin National Scenic Area, California USA (© Russ Bishop/www.russbishop.com)

Evening light on tufa towers at the south shore, Mono Lake, California

The Mono Lake Tufa State Natural Reserve, which was established in 1982, is one of 70 parks, historic buildings and monuments that California State Park officials plan to close by the end of June 2012 due to budget restraints. The famous south shore tufa will still be accessible (as will the rest of the lake), but the visitor center and information kiosks will likely close and with them a valuable educational resource that has helped keep Mono Lake alive.

Since the early part of the 20th century, the water rights along the eastern Sierra Nevada mountains have been hotly contested with the construction of the Los Angeles aqueduct. The classic story of how Mulholland bought up the ranch lands of the Owen’s Valley to build his dream and bring water to the desert of Southern California is well-documented in the movie Chinatown, and the subsequent LA Department of Water and Power has been in court many times over the years as a result.

Mono Lake has no outlet and its proximity near the start of the LA aqueduct makes it critically dependent on the naturally flowing streams that feed into it from the nearby Sierra. It’s highly saline waters are a perfect breeding ground for brine shrimp, which in turn are the staple diet for over 2,000,000 migratory birds that visit the lake each year (including the second largest nesting population of California gulls in the US).

Fortunately we’ve had a couple of very wet winters and Mono Lake is receiving the water it needs for now. But with the growing demand of a rapidly expanding and thirsty west, its future remains uncertain.

©Russ Bishop/All Rights Reserved