Landscape Photography | Russ Bishop Photography

October 1, 2015April 18, 2018

Drawing on the Right Side of the Brain

Fall color along the Merced River, Yosemite National Park, California

In landscape photography we often previsualize a scene in our mind’s eye prior to arriving at a location in order to achieve the final image. Then, working backwards with our equipment selection and knowledge of the scene, we assess the conditions and create that vision.

At the center of this process, our brain is constantly switching back and forth between two ways of perceiving and processing the reality around us — one verbal and analytic, the other visual and perceptual. While the left brain is logical, rationally using words to describe concepts and able to manipulate abstract ideas, numbers and the concept of time, the right brain, in contrast, takes on a holistic approach, sensing relationships and patterns, and tends to be intuitive, emotional, and irrational with no sense of time – much like a child.

When we photograph it is our left brain that confirms the proper exposure, balances the histogram, levels the horizon, and insists that the rule of thirds be followed at all times. From a creative standpoint, this is where we want the right brain to take over and make a subjective leap of faith. By recognising how our brain functions, we have the ability to tap into our creative side and develop new ways of seeing.

Betty Edward’s treatise “Drawing on the Right Side of the Brain” takes a thoughtful look into the fascinating way that our brain works in tandem to balance our creative and cognitive traits. Based on this premise, that the left and right hemispheres of the brain process information in very different ways, she suggests that we can subjectively stimulate our creative responses to the world around us by suppressing the dominant and calculating left side and focusing on the right. Though the book references artists and drawing in particular, it is equally relevant to any of the visual arts.

So the next time you feel the need to expand your visual horizons, resist the temptation to buy another lens or Lightroom filter (as your left brain would likely suggest), and pick up this book instead. The development of your creative perception is an invaluable tool that will serve you well the rest of your life, and the only requirement is time and practice.

August 10, 2015March 13, 2018

Sand Dollar Beach

The Monterey Bay National Marine Sanctuary, which stretches from San Francisco to Cambria California, is the largest preserve in the nation and one of the richest marine environments in the world. Migrating grey whales, sea otters and elephant seals are just some of the protected wildlife that can be experienced along this magnificent stretch of coastline.

Sand Dollar Beach in the Los Padres National Forest is one of highlights along the southern stretch of the Big Sur coast. It is one of the most rugged and scenic areas on the Pacific and a favorite location for photographers, surfers and beachcombers alike. A well-maintained trail leads down to a half-mile crescent where tide pools, caves, a rich vein of jade, and the elusive sand dollar add to the unique experience at this special place.

March 4, 2015March 13, 2018

Antelope Canyon Magic

Delicate slickrock formations in upper Antelope Canyon, Arizona

Antelope Canyon on the Navajo Indian Reservation in Arizona is arguably one of the finest slot canyons in the American southwest, and certainly one of the most photographed. Although beautiful to witness with the naked eye, these jewels of the desert really shine when a long exposure reveals the light and color our eyes can’t perceive – the subtle shades and hues of the sunlight as it plays off the wind and water sculpted sandstone.

Unlike most landscape photography, which benefits from the warm light of dawn or dusk, slot canyons are best photographed midday when the greatest amount of light penetrates the steep and narrow canyon walls. A tripod is mandatory for sharp images with the long exposures necessary to capture the light in these dimly lit passages. And once your eyes have adjusted, the challenge is to create meaningful compositions that lead the eye into the frame and showcase the myriad textures that surround you.

This image was made with a wide 24mm lens and a 30 second exposure – no filter or artificial lighting was used!