Equipment | Russ Bishop Photography

September 27, 2024September 27, 2024

What You See Is What You Get

WYSIWYG (or “what you see is what you get”) is computer lingo for software that optimizes the screen display for a particular type of output. Back when word processing and desktop publishing software first hit the scene this was nothing short of a miracle. The software emulated the resolution of the printer in order to get as close as possible to WYSIWYG, but the main attraction was the ability to previsualize what you were producing prior to printing.

We now live in a far more advanced digital world of 4K monitors, massive image files, and the processors and video cards to handle them, but without color consistency across devices we might as well be living in the dark ages.

Monitor calibration has a reputation as being one of the great mysteries of digital imaging, but it really doesn’t have to be. Printing images that accurately represent what you see on-screen is a reasonable expectation that shouldn’t break the bank on wasted ink and paper. But unlike the out-of-box WYSIWYG experience you get when printing documents, your monitor requires a little assistance when it comes to images.

What you need is a spyder, and I’m not referring to those furry creatures lurking in your garage. Several companies sell highly accurate and reasonably priced kits like the Datacolor SpyderX Elite that include everything you need to guarantee that your output is consistent from screen to print. The spyder is actually a color sensor (called a colorimeter) that plugs into a standard USB port and works in tandem with software to read your monitor’s output. The process is known as calibration and it creates a custom profile that tunes your display to an industry reference standard, which is then used by image editing programs like Photoshop and Lightroom to provide consistent reliable color.

You trust your eyes and photo equipment when it comes to accurately representing your vision in the field, but it’s all for naught if your monitor doesn’t faithfully reproduce those tones and colors. Much like driving in the dark with your headlights off, editing images without a calibrated monitor is a guessing game. So before you buy another lens or camera body, don’t overlook one of the most important investments you can make as a digital photographer. A quality monitor and calibration kit may not be the most exciting gear you’ll buy, but they do guarantee that what you see is what you get.

December 20, 2023December 20, 2023

Cold Snap – Tips for Successful Winter Photography

Cold Snap – Tips for Successful Winter Photography. The last of autumn’s leaves have fallen and it’s time to focus on the next photographic season (and one of the most challenging!). Winter is a wonderful time to explore and create striking images, but preparation is the key to success. Here are a few tips to make your next photo outing both comfortable and rewarding.

1) Warm Clothing. This might seem obvious, but being comfortable for long hours in the elements will allow you to focus on photography and not your numb toes. Waterproof snow boots are essential along with a hat, gloves, and layers so that you can adjust your body temperature during the day as temperatures rise. Two of my sponsors REI and Patagonia have a large selection of gear to keep you warm and dry.

2) Hand Warmers. Chemical hand warmers can be purchased at most sporting good stores, heat up instantly, and last up to 8 hours. They are excellent inside gloves, for keeping spare batteries warm, and in pockets when you need to warm your hands after taking your gloves off to change batteries or memory cards.

3) Spare Batteries. Today’s lithium-ion camera batteries are a modern marvel of compact energy and perform quite well in the cold, but keeping them warm inside your jacket will extend their life even more. I always have one or two spares and avoid excessive image reviewing in the field. Turning off features such as camera sounds and lights can also greatly help to extend battery life.

4) Tripod Care. I always recommend using a tripod to maximize sharpness and winter is no exception. But when shooting in snow you need to be careful not to over extend the legs and damage the tripod. To avoid this, simply keep the legs together as you sink the tripod in the snow and they will naturally expand to form a solid base. Covering the legs with custom covers or pipe insulation also makes them easier to handle in the cold and more comfortable when carrying over the shoulder.

5) Expose for the Snow. Back in the days of film this was easy to forget and would often result in an entire roll of underexposed images. The problem is your camera’s light meter sees everything as neutral gray (including snow) and adjusts your camera settings accordingly. In scenes with large amounts of snow, this results in images being up to 2 stops underexposed. Fortunately this is easily detected and corrected with today’s digital cameras by setting the exposure compensation dial (typically 2 stops overexposed, but check that histogram). As long as the light is consistent, this works well in both auto and manual metering modes.

6) Breathe Easy. It’s not that standing in the snow is physically exhausting, but your breath can be detrimental to your photography! If it’s cold enough that water vapor will create a sheet of ice on the back of your camera, which is difficult to remove and could cost you the shot. It takes a little practice, but breathing out of the side of your mouth or holding your breath while composing works well to prevent this.

So don’t let the cold keep you from enjoying this wonderful season. It’s a special time with unlimited photographic possibilities, and with a little preparation and care you’ll be experiencing one of nature’s best displays and capturing all that beauty in comfort.

October 17, 2023October 17, 2023

Simplify, Simplify

Simplify, Simplify. Thoreau’s famous words apply as much to successful landscape photography as life itself. Often when we first approach a classic scene we’re inclined to capture as much of it as possible in hopes that nothing is left out.

Many times a wide-angle view is the best perspective for those grand vistas, but it needs to be carefully composed in order to guide the viewer’s eye through the frame. Problems arise when there is too much information and the image becomes cluttered and confusing. That’s the time to go long and distill the key elements down to their essence.

As with taking on too much in our lives and missing the forest for the trees, sometimes we need to simplify the scene to make it stronger. By carefully cropping out distracting elements and focusing on light and form we can create images with more visual impact that connect with our audience on a deeper level.