Russ | Russ Bishop Photography

July 21, 2025July 21, 2025

Visual Opportunity Is Closer Than You Think

It’s been said that you don’t need to circle the globe to find wonderful subjects to photograph. And while shooting close to home may not sound as exciting as travelling to far off exotic destinations, a little research and an open mind can reveal grand landscapes and intimate details right in your own backyard.

I’m fortunate to live in Southern California where icons like Death Valley and Joshua Tree National Parks are within a day’s drive, yet I’ve discovered many less frequented local spots that can be just as rewarding for photography. Los Padres National Forest is one such place that includes a large portion of California’s coastal mountains from Ojai to Monterey. Nearly half of the forest is designated wilderness that ranges from semi-desert in the interior areas to redwood forests on the coast, providing a wealth of photographic potential.

So the next time you’re scouting photo locations or just searching for a quiet place to call your own don’t forget the state parks, national forests, and other public lands nearby. You won’t experience the crowds or expense that come with the bigger parks and international travel, and you might just be surprised by the quality images and visual opportunities that can be found close to home.

June 19, 2025June 25, 2025

The Emotion of Motion

The Emotion of Motion. There’s something fascinating about visual movement that stirs our souls and creates a visceral response. I’m not referring to the exhilaration of skydiving or skiing down a mountain, but the more subtle visual connections we make while witnessing a dance performed on a stage, watching clouds race across a desert sky, or simply viewing a photograph of a silky waterfall frozen in time.

As photographers we have the privilege of stopping time or even slowing it down just long enough to give our viewers a glimpse of a world that can never be seen with our own eyes. We can illustrate a repetitive process over time such as a series of waves washing upon a shore, or create an abstract vision of color and form that has no resemblance to the natural world.

At these moments, there is a bond that occurs between subject and viewer that’s hard to put into words. Perhaps it’s our secret desire to slow the inevitable march of time or just a sense of voyeurism at seeing something beautiful that we know we shouldn’t be able to. I like to think of it as the emotion of motion.

May 12, 2025May 12, 2025

The World of Light & Shadow

The World of Light & Shadow. In the continuing search to develop our photographic vision it’s often said that trying a new or different approach yields the best results. While we employ many tried and true techniques in our craft that help to define our style, it’s the ongoing challenge to see the world anew that offers the greatest rewards in helping us grow creatively.

If you typically use wide-angle lenses switch to a telephoto and isolate elements from the bigger picture. When shooting under sunny skies is the norm try the soft diffused light of an overcast day to eliminate shadows and create rich, saturated colors. As I’ve mentioned before, filters can also be an indispensable tool in shaping and controlling light in the field, and are almost always preferable to post processing. One exception is the conversion to monochrome.

With today’s powerful controls in Lightroom and Nik Software’s Silver Efex Pro, it’s now possible to make gorgeous black and white conversions from our color files that express all the subtleties and tonal range once only achievable with film and a darkroom. The challenge here is to seek out images that work well in monochrome. Typically high contrast scenes with defined edges and shadow detail are strong contenders, but there are no hard fast rules and experimentation is the key.

Although I don’t always shoot with black and white in mind, I’ve discovered many images in my files that express my emotional response to the scene much clearer than the color version. Most current digital cameras do have a black and white shooting mode, but it’s always preferable to shoot in RAW and then convert using the full tonal adjustments available in the programs I’ve mentioned. The added benefit is that you always have your original when color is the best option.

So spend some time reviewing your images with a new perspective in mind. You might just find some real gems that were waiting to be discovered in the world of light and shadow.