Fall Color Photography – Where’s The Light?

Fresh snow on fall aspens and pines, Inyo National Forest, California USA
Fresh snow on fall aspens and pines, Inyo National Forest, California USA

Fall Color Photography – Where’s The Light?

Successful fall color photography starts with planning around leaf changes. One of the many online interactive fall color maps can be a good starting point. After scouting your location, there’s another key factor to consider.

Where and how the color happens is dependent upon elevation and temperature.  No two years are ever the same. The higher mountains of the west begin in mid-September. Eastern hardwoods follow in October. The lower red-rock country of the southwest typically begins in early November.

Once you’ve settled on a destination and found that grove of trees, the next step is to understand the light. It may seem that vibrant reds or yellows will be faithfully reproduced by your sensor at any time. However, understanding the quality of light can help guarantee your success.

Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background.

Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting. The shadows are eliminated resulting in uniform light that both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light along with the framing, and don’t be too quick to trip the shutter. A slight change in position and a little patience can often make the difference between a good image and a great one.

 

©Russ Bishop/All Rights Reserved

America’s Best Idea

America's Best Idea. Evening light in Dusy Basin, Kings Canyon National Park, California USA
Evening light in Dusy Basin, Kings Canyon National Park, California

America’s Best Idea. August 25th is the 110th birthday of the National Park Service. Established in 1916 by President Woodrow Wilson, the Park Service was created to “conserve the scenery and the natural and historic objects and the wild life therein…for the enjoyment of future generations.”

Its humble beginnings started with just thirty-five parks administered under the Department of the Interior. Today the National Park System encompasses  over 400 units that include parks, monuments, and historic sites. Ken Burns’ film The National Parks: America’s Best Idea rekindled the connection many feel with the parks, and is a wonderful tribute to the history and originality that first made them possible.

The National Park Foundation is the official charity of America’s national parks. It is a great resource for staying in the loop about local events and activities. It’s also a great first stop for researching a park or to put the finishing touches on planning your next big adventure.

#findyourpark and celebrate America’s Best Idea!

 

 

©Russ Bishop/All Rights Reserved

The Forest For The Trees

The Forest For The Trees. Giant Sequoia in winter, Giant Forest, Sequoia National Park, California
Giant Sequoia in winter, Giant Forest, Sequoia National Park, California

In today’s modern world of fast-paced digital photography it’s easy to feel overwhelmed by the constant stream of new technology. Cameras, software and accessories are released at an alarming rate, and it’s easy to get caught up in the race to stay ahead of the curve. But it’s important to remember that first and foremost we are artists, and that technology serves the art and not the other way around. Don’t lose sight of the forest for the trees.

You can be sure Rembrandt didn’t lust over the latest brushes or Ansel Adams the latest developer or papers whenever their interpretation of light and shadow faced a challenge. Instead, they trusted their familiar tools even more to allow their hand and eye (the only lasting tools of the trade) to record the scene faithfully.

When you do upgrade your equipment (and we all do at some point) you owe it to yourself to thoroughly understand its features and functions. No one likes reading manuals, but it’s time well spent that you’ll appreciate the next time the light is fleeting and you’re focused on capturing the moment, not fumbling with dials or menu settings.

So purchase when you must, but don’t lose sight of the big picture. Put your energy into developing your vision and spend less time worrying about the march of progress. Art is about the seeing and no one will ever look at your images and say “that was made with a Nikon or Canon”. More likely, they will say “what was s/he feeling”!

The more comfortable you are with your equipment the more it becomes an extension of your mind’s eye and allows you the freedom to truly see the world around you. And that’s when your vision outshines all the other tools in your bag.

 

©Russ Bishop/All Rights Reserved