Chasing Waterfalls

Chasing Waterfalls. Detail of Bridalveil Fall, Yosemite Valley, Yosemite National Park, California
Detail of Bridalveil Fall, Yosemite Valley, Yosemite National Park, California

Chasing Waterfalls. There’s something about flowing water that soothes the soul and sparks the imagination. Mesmerizing ripples on a lake, the fluid dynamics of an eddy as it dances over rocks in a stream, or the powerful force of a cascading waterfall. It’s poetry in motion – nature’s visual elixir.

Preserving these moments of natural movement on film or sensor is a tireless indulgence for the outdoor photographer. Varying shutter speeds and focal lengths can create dramatic landscapes or freeze intimate moments of light and form. And most impressive is the fact that no two images will ever be the same!

Learning to read the flow of the water becomes intuitive with experience and helps solidify the visual appeal of each frame. Waterfalls in particular are constantly changing their course as the wind shifts, and timing your exposure for the best flow can greatly reduce editing time when reviewing dozens of images.

As with all nature photography, time spent thoughtfully viewing a scene and carefully framing your composition is paramount. It will ensure that when the decisive moments arrive you’re able to capture the dancing waters at peak performance.

 

©Russ Bishop/All Rights Reserved

Yosemite Moonbows

Yosemite Moonbows. Moonbow and starry sky over Yosemite Falls, Yosemite National Park, California
Moonbow and starry sky over Yosemite Falls, Yosemite National Park, California

Yosemite Moonbows. Yosemite National Park is a mecca for adventure and nature photography with its steep granite walls, lush meadows, alpine spires and booming waterfalls. I’ve spent four decades exploring its unique features and it always feels like home whenever I return.

But as with any well-loved location, it’s easy to find yourself in a creative quandary when it comes to seeking out new perspectives. With iconic landmarks around every turn, it’s a challenge to create fresh images that (no matter how beautiful) don’t leave you feeling as if you’ve just seen that same view in a recent car ad or magazine. So what to do?

As I’ve mentioned in a previous post, waterfalls are always a rewarding subject as no two shots will ever be the same. The flow of the water is in a constant state of flux and experimenting with shutter speed opens up a whole new world of creative expression. From what Ansel Adams called “straight photography” to ethereal artistic interpretation, the sky really is the limit with this liquid landscape.

Also known as lunar rainbows, moonbows are a unique phenomenon that occurs when the full moon illuminates the spray of a waterfall. The moon needs to be low in the sky (less than 42 degrees) and the night sky must be very dark making Yosemite an ideal location. The best times are typically 2 to 3 hours before sunrise or 2 to 3 hours after sunset when the brightness of the stars compliments the moonlight reflecting off the water.

Framing can be a challenge in such dim light, but once you have a composition set and your eyes have adjusted the fun part begins. Watching the moonbow magically appear and disappear with the ebb and flow of the spray is mesmerizing and makes for an evening of photography you won’t soon forget.

 

©Russ Bishop/All Rights Reserved

Canyon Light

Canyon Light. Slickrock formations in lower Antelope Canyon, Navajo Indian Reservation, Arizona
Antelope Canyon, Navajo Indian Reservation, Arizona

For all the equipment I’ve purchased over the years, from camera bodies to lenses and filters, the most important tool of my craft is one I’ve never had to buy. The world of natural light provides landscape photographers with a constantly varied selection from soft light to lightning and everything in between. Here canyon light illuminates the subtle hues of Antelope Canyon, and best of all there’s never a cost.

Unlike a studio strobe, it’s sometimes a challenge to harness the light Mother Nature provides. But therein lies the art of outdoor photography – knowing how to work with what you’re given or having the patience to wait for something better.

In previous posts I’ve mentioned various ways to work with challenging conditions, but there is one place where the light is constant and never leaves you wishing for more – the indirect, reflected light found deep in the canyons of the Southwest.

Its consistent, ethereal glow could easily be mistaken for artificial light, and its true colors can hardly be discerned by the naked eye in the dark recesses of a slot canyon. In sharp contrast to magic hour, the best time to experience this light is when the sun is high overhead and able to penetrate these deep fissures in the earth’s crust. And only when the scene is revealed on the sensor or emulsion do you see the true beauty of the canyon light.

 

©Russ Bishop/All Rights Reserved