Tag: Technique

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The Trouble with Bad Light

Cascade on Hare Creek, Limekiln State Park, California | The Trouble with Bad Light
Cascade on Hare Creek, Limekiln State Park, Big Sur, California USA

How many times have you arrived at a scene, anxious and ready for the show to begin only to find that Mother Nature had other plans. The light is far from spectacular, and your perfect image just faded before your eyes (or sensor) ever had a chance to capture it. Typical? Yes, but there’s just one problem. There is no such thing as bad light!

The issue is more with perception than the reality before you. Sure it requires a change of plan, but photography in its simplest form is painting with light (any light) and in that context, it’s all good. Learning to work with a variety of light will expand your visual toolkit and result in more satisfying and dynamic landscape images.

Big puffy clouds will always add drama to a landscape. But what if the sky is a sea of blue with nothing to balance the frame except an intense sun in the wrong location? Use a small aperture with that wide-angle lens and create a dynamic sunstar. This is a great opportunity for visual storytelling. Include a silhouette of a person involved in an activity or a defining landform and you’ve just turned that bad light into a compelling image.

But now you say the sky is completely overcast with no direct light anywhere? This is the perfect time to point your lens to the finer details below the horizon or at your feet. In this case, the sky is simulating a giant studio softbox with broad even lighting and no shadows – perfect for macro shots and isolating elements of the scene with a telephoto. That drab looking light will actually enhance the colors of flowers and trees, and combined with a slow shutter speed it will turn water into silk.

So the next time you’re met with less than ideal conditions, think twice before packing it in. Taking a different approach to the weather and thinking outside the box could be the only difference between creating some powerful imagery or nothing at all.

 

©Russ Bishop/All Rights Reserved

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Drawing on the Right Side of the Brain

Fall color along the Merced River, Yosemite National Park, California
Fall color along the Merced River, Yosemite National Park, California

In landscape photography we often previsualize a scene in our mind’s eye prior to arriving at a location in order to achieve the final image. Then, working backwards with our equipment selection and knowledge of the scene, we assess the conditions and create that vision.

At the center of this process, our brain is constantly switching back and forth between two ways of perceiving and processing the reality around us — one verbal and analytic, the other visual and perceptual. While the left brain is logical, rationally using words to describe concepts and able to manipulate abstract ideas, numbers and the concept of time, the right brain, in contrast, takes on a holistic approach, sensing relationships and patterns, and tends to be intuitive, emotional, and irrational with no sense of time – much like a child.

When we photograph it is our left brain that confirms the proper exposure, balances the histogram, levels the horizon, and insists that the rule of thirds be followed at all times. From a creative standpoint, this is where we want the right brain to take over and make a subjective leap of faith. By recognising how our brain functions, we have the ability to tap into our creative side and develop new ways of seeing.

Betty Edward’s treatise “Drawing on the Right Side of the Brain” takes a thoughtful look into the fascinating way that our brain works in tandem to balance our creative and cognitive traits. Based on this premise, that the left and right hemispheres of the brain process information in very different ways, she suggests that we can subjectively stimulate our creative responses to the world around us by suppressing the dominant and calculating left side and focusing on the right. Though the book references artists and drawing in particular, it is equally relevant to any of the visual arts.

So the next time you feel the need to expand your visual horizons, resist the temptation to buy another lens or Lightroom filter (as your left brain would likely suggest), and pick up this book instead. The development of your creative perception is an invaluable tool that will serve you well the rest of your life, and the only requirement is time and practice.

©Russ Bishop/All Rights Reserved