Russ Bishop | Russ Bishop Photography | Nature Photo Blog

October 25, 2016November 16, 2020

The Path Less Traveled

Fresh snow on fall aspens and pines, Inyo National Forest, California

There’s been an ongoing discussion in the photography world lately about art and originality, that of creating images that are not the photographer’s personal vision so much as an attempt to copy the work of others. In extreme cases some would argue this isn’t art at all, but rather a mechanized form of duplication. The unfortunate result is that many photographers are no longer willing to share information about specific locations, and those photographers involved in the practice are missing the opportunity to show the world their own unique vision.

This trend is ironic given that we’re a country born of rugged individualism, and photography above all is a form of personal expression. But it’s no surprise when we are surrounded by such a lack of creativity in society today – movie remakes of 70’s television shows; advertisements using surprisingly similar images; and politicians repeating the same words as if they are uniquely their own. Perhaps this lack of originality is due to tight deadlines and too little time in our fast-paced world, or simply a fear of the unknown.

Before I head off on a shoot (especially if it’s a location I’ve never been to before) I thoroughly research the area geographically and geologically, and I’ll also review images of the area as a reference point to get a sense of place. But then after immersing myself in the details at home, I use the travel time to clear my head and fine tune my receptors to soak in whatever the location may offer.

Instead of previsualizing, I prefer to see a place through a child’s eye as if I’m the first ever to experience it. I’ll often avoid the obvious viewpoint whenever possible in favor of an angle that combines the key elements of the scene in a fresh, new way. When that’s a challenge, I’ll try a different lens or shutter speed or perhaps just wait for the light or weather to change.

So dare to be different and embrace the unknown! Find your own unique vision in photography and in life – and enjoy the rewards of the path less traveled.

August 7, 2014March 13, 2018

Bonsai Rock – Lake Tahoe

Bonsai Rock at sunset, Lake Tahoe, Nevada

Lake Tahoe is a land of superlatives. Straddling the border of California and Nevada at over 6,000 feet, it’s the deepest alpine lake in North America and second only to Crater Lake in overall depth. It also has the largest volume of any lake in the United States behind the Great Lakes. By day, the crystal clear waters of this mountain oasis entice with a cerulean hue that sparkles like a jewel amid the surrounding peaks. But dusk and dawn have a special quality all their own for photography or just soaking up the magic hour experience.

Bonsai Rock shown here has become an icon of the lake, and the partially submerged boulders surrounding it make this a wonderful destination at sunset. Located on the northern Nevada side not far from Sand Harbor State Park, it’s a bit tricky to find but well worth the short hike down from the road (providing you find parking along the narrow highway, and have a headlamp for the return). The wind really sets the mood here for photography as it can be strong or non-existent, but a long shutter softens the scene when the lake is restless and adds to the timeless feeling of this beautiful location.

April 4, 2014October 30, 2015

Visual Abstraction

Bare trees, Yosemite National Park, California USA

As landscape photographers the natural world provides us with an unlimited source of subject matter and inspiration. Much of the time we choose to let nature dictate the scene, creating “straight photography” as Ansel Adams referred to it, by selecting a lens and exposure that will faithfully record the natural beauty we see before us.

Unfortunately conditions in the wild are not always ideal and often we’re forced to adjust our approach to image making. Flat light, wind, or a recent fire can all derail our idea of the perfect landscape. But, as I’ve mentioned previously, this is where we need to think outside the box and go with the flow creatively. The pure images might have to wait for another day, but the glass is half full. A whole new world of visual storytelling is waiting to happen for those willing to give their tripod the day off and think of their camera as a brush and canvas.

The term abstraction (from the Latin abs, meaning away from and trahere, meaning to draw) is the process of taking away or removing elements from something in order to reduce it to a set of essential characteristics. Merriam Webster defines abstraction as “art unconcerned with the literal depiction of things from the visible world”. In short, we want to know that it’s a tree or a flower, but beyond that we’re free to roam aesthetically.

Abstract photography is becoming increasingly popular these days as a form of self-expression. By imparting mood and feeling, in many ways abstracts provide a stronger emotional bond between an image and its audience than a straight image. Much like seeing the world through a new lens, the idea here is to intentionally create art and not document reality. Motion blurs, pans, and zooms at a slower shutter speed are typical techniques for creating natural abstracts, but the possibilities are endless.

The next time mother nature is being uncooperative and the straight photography is leaving you uninspired, take a detour and have fun with this liberating technique. Your inner child will thank you, and all you have to remember is that there are no rules and you can’t make any mistakes.

“Don’t shoot what it looks like. Shoot what it feels like.” -David Alan Harvey