Photography | Russ Bishop Photography | Nature Photo Blog

June 19, 2025June 25, 2025

The Emotion of Motion

The Emotion of Motion. There’s something fascinating about visual movement that stirs our souls and creates a visceral response. I’m not referring to the exhilaration of skydiving or skiing down a mountain, but the more subtle visual connections we make while witnessing a dance performed on a stage, watching clouds race across a desert sky, or simply viewing a photograph of a silky waterfall frozen in time.

As photographers we have the privilege of stopping time or even slowing it down just long enough to give our viewers a glimpse of a world that can never be seen with our own eyes. We can illustrate a repetitive process over time such as a series of waves washing upon a shore, or create an abstract vision of color and form that has no resemblance to the natural world.

At these moments, there is a bond that occurs between subject and viewer that’s hard to put into words. Perhaps it’s our secret desire to slow the inevitable march of time or just a sense of voyeurism at seeing something beautiful that we know we shouldn’t be able to. I like to think of it as the emotion of motion.

October 17, 2024October 17, 2024

Beyond Technology – Creating Images with Heart

In today’s mobile world of social media and online everything we are exposed to more daily imagery than at any previous time in history. As a result, our visual sensitivity is developing at a rapid rate along with the need to mentally process these images in a timely manner.

Much the same way we have a hard time watching the dated animation from old sci-fi movies, it’s easy to become more critical of what we like (and Like on Facebook). And with all of the various processing techniques (HDR, focus stacking, exposure blending to name a few) it’s also easy to be lulled into sensory overload from this highly polished visual world. But whatever technology may hold for the future, one thing will never change and that’s the need to create an emotional response with our images.

A technically perfect image may have the wow factor of a Hollywood blockbuster, but perfection does not necessarily create heart – and that’s really what photography is all about. Regardless of the subject matter, lens used or processing applied, convey the mood and emotion in your images through lighting, weather or technique and your photography will always rise above the crowd.

“Don’t shoot what it looks like. Shoot what it feels like.” -David Alan Harvey

August 29, 2024August 29, 2024

Fall Color Photography – Where’s The Light?

Fresh snow on fall aspens and pines, Inyo National Forest, California USA

Fall Color Photography – Where’s The Light? Successful fall color photography obviously starts with planning around the seasonal changing of the leaves (and this Fall Color Map can help), but once you’ve scouted your location there’s another key factor to consider.

Where and how the color happens is dependent upon elevation and temperature and no two years are ever the same. The higher mountains of the west begin in mid-September, eastern hardwoods in October, and the lower red-rock country of the southwest typically in early November. Once you’ve settled on a destination and found that great grove of trees the next step is to understand the light.

It might seem like the vibrant reds or yellows before you would be faithfully reproduced by your sensor no matter what time of day, but understanding the quality of the light can go along way towards guaranteeing your success. Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background.

Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting as the shadows are eliminated and the uniform light both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light and framing, and don’t be too quick to trip the shutter. A slight change in position or a little patience can often make the difference between a good image and a great one.