Mountain Dogwood above the Merced River, Yosemite National Park, California
Spring is just around the corner and with the regular precipitation we’re seeing (compared to years past) it’s expected that the popular high desert wildflower displays should put on another great show. The typical hot-spots out west including Antelope Valley, Anza-Borrego and Death Valley need rain in January for the flowers to germinate and this year is shaping up nicely.
But for those looking for a more reliable spring fix you just need to set your sights a little higher. All that color, grace, and beauty will make a showing – just in a slightly different form and at a higher elevation. Blooming trees and shrubs like Yosemite’s famous Mountain Dogwood (Cornus nuttallii) and the vibrant Western Redbud (Cercis occidentalis) aren’t as susceptible to seasonal changes and should still be in full glory later in April and May when the desert annuals are starting to wind down.
Spring is a wonderful time to visit Yosemite and the Sierra foothills with fewer crowds, mild temperatures, and endless photographic possibilities.
Fall color along the Merced River, Yosemite National Park, California
In landscape photography we often previsualize a scene in our mind’s eye prior to arriving at a location in order to achieve the final image. Then, working backwards with our equipment selection and knowledge of the scene, we assess the conditions and create that vision.
At the center of this process, our brain is constantly switching back and forth between two ways of perceiving and processing the reality around us — one verbal and analytic, the other visual and perceptual. While the left brain is logical, rationally using words to describe concepts and able to manipulate abstract ideas, numbers and the concept of time, the right brain, in contrast, takes on a holistic approach, sensing relationships and patterns, and tends to be intuitive, emotional, and irrational with no sense of time – much like a child.
When we photograph it is our left brain that confirms the proper exposure, balances the histogram, levels the horizon, and insists that the rule of thirds be followed at all times. From a creative standpoint, this is where we want the right brain to take over and make a subjective leap of faith. By recognising how our brain functions, we have the ability to tap into our creative side and develop new ways of seeing.
Betty Edward’s treatise “Drawing on the Right Side of the Brain” takes a thoughtful look into the fascinating way that our brain works in tandem to balance our creative and cognitive traits. Based on this premise, that the left and right hemispheres of the brain process information in very different ways, she suggests that we can subjectively stimulate our creative responses to the world around us by suppressing the dominant and calculating left side and focusing on the right. Though the book references artists and drawing in particular, it is equally relevant to any of the visual arts.
So the next time you feel the need to expand your visual horizons, resist the temptation to buy another lens or Lightroom filter (as your left brain would likely suggest), and pick up this book instead. The development of your creative perception is an invaluable tool that will serve you well the rest of your life, and the only requirement is time and practice.
