Techniques | Russ Bishop Photography

April 21, 2025April 21, 2025

Chasing Waterfalls

Chasing Waterfalls. There’s something about flowing water that soothes the soul and sparks the imagination. Mesmerizing ripples on a lake, the fluid dynamics of an eddy as it dances over rocks in a stream, or the powerful force of a cascading waterfall. It’s poetry in motion – nature’s visual elixir.

Preserving these moments of natural movement on film or sensor is a tireless indulgence for the outdoor photographer. Varying shutter speeds and focal lengths can create dramatic landscapes or freeze intimate moments of light and form. And most impressive is the fact that no two images will ever be the same!

Learning to read the flow of the water becomes intuitive with experience and helps solidify the visual appeal of each frame. Waterfalls in particular are constantly changing their course as the wind shifts, and timing your exposure for the best flow can greatly reduce editing time when reviewing dozens of images.

As with all nature photography, time spent thoughtfully viewing a scene and carefully framing your composition is paramount. It will ensure that when the decisive moments arrive you’re able to capture the dancing waters at peak performance.

October 17, 2024October 17, 2024

Beyond Technology – Creating Images with Heart

In today’s mobile world of social media and online everything we are exposed to more daily imagery than at any previous time in history. As a result, our visual sensitivity is developing at a rapid rate along with the need to mentally process these images in a timely manner.

Much the same way we have a hard time watching the dated animation from old sci-fi movies, it’s easy to become more critical of what we like (and Like on Facebook). And with all of the various processing techniques (HDR, focus stacking, exposure blending to name a few) it’s also easy to be lulled into sensory overload from this highly polished visual world. But whatever technology may hold for the future, one thing will never change and that’s the need to create an emotional response with our images.

A technically perfect image may have the wow factor of a Hollywood blockbuster, but perfection does not necessarily create heart – and that’s really what photography is all about. Regardless of the subject matter, lens used or processing applied, convey the mood and emotion in your images through lighting, weather or technique and your photography will always rise above the crowd.

“Don’t shoot what it looks like. Shoot what it feels like.” -David Alan Harvey

August 29, 2024August 29, 2024

Fall Color Photography – Where’s The Light?

Fresh snow on fall aspens and pines, Inyo National Forest, California USA

Fall Color Photography – Where’s The Light? Successful fall color photography obviously starts with planning around the seasonal changing of the leaves (and this Fall Color Map can help), but once you’ve scouted your location there’s another key factor to consider.

Where and how the color happens is dependent upon elevation and temperature and no two years are ever the same. The higher mountains of the west begin in mid-September, eastern hardwoods in October, and the lower red-rock country of the southwest typically in early November. Once you’ve settled on a destination and found that great grove of trees the next step is to understand the light.

It might seem like the vibrant reds or yellows before you would be faithfully reproduced by your sensor no matter what time of day, but understanding the quality of the light can go along way towards guaranteeing your success. Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background.

Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting as the shadows are eliminated and the uniform light both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light and framing, and don’t be too quick to trip the shutter. A slight change in position or a little patience can often make the difference between a good image and a great one.